MARC Record from harvard_bibliographic_metadata

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008 120308s2011 ne b 100 0 eng d
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050 14 $aML3849$b.I53 2009
072 7 $aNX$2lcco
072 7 $aML$2lcco
072 7 $aPN$2lcco
082 04 $a780
111 2 $aInternational Conference on Word and Music Studies$n(7th :$d2009 :$cVienna, Austria)
245 10 $aWord and music studies :$bessays on performativity and on surveying the field /$cedited by Walter Bernhart in collaboration with Michael Halliwell.
246 30 $aEssays on performativity and on surveying the field
260 $aAmsterdam ;$aNew York :$bRodopi,$c2011.
300 $ax, 296 p. ;$c23 cm.
490 1 $aWord and music studies ;$v12
500 $a"The essays collected in this volume ... are all versions of papers read at the Seventh International Conference of the International Association for Word and Music Studies (WMA) held at the University of Music and Performing Arts Vienna in June 2009"--Introd.
504 $aIncludes bibliographical references.
520 8 $aThe main section of this volume of essays addresses the topic of 'Performativity in Literature and Music', a subject of high contemporary relevance since a substantial part of recent reflections in the humanities are concerned with the performance aspect of cultural activities, particularly in the arts. This decisive reorientation of scholarly interests in the arts, trendily called the 'performative turn', has yielded significant contributions to an increasingly refined understanding of artistic processes from an up-to-date perspective, and specifically what has been called the 'crisis of the work concept' has sharpened our awareness of the need of finding the 'proper' object of such scholarly investigations, which, as in most traditional studies, cannot be exclusively the written documents of our cultural heritage, but additionally, and essentially so, their actualizations in performance situations.
505 00 $tPerformativity and the musical work of art /$rTobias Janz --$tText vs act : the Bearbeitungsfrage and the 'Romantic Baroque' /$rDavid Francis Urrows --$tThe act of performance as Mahlerian topic /$rRobert Samuels --$tPolitics, music and irony in Alejo Carpentier's novel La Consagración de la Primavera (The Rite of Spring) /$rKatia Chornik --$tMusical performativity in the fiction of Katherine Mansfield /$rDelia da Sousa Correa --$tRythmical ambivalence of poetry performance : the case of Elizabethan verse /$rWalter Bernhart --$t"Music will keep out temporary ideas": W.B. Yeats's radio performances /$rAdrian Paterson -- 'The invisible' 'the inaudible' : aspects of performativity in Celan and Leibowitz /$rAxel Englund --$tRomantic opera and the virtuoso /$rSimon Williams --$tSexing song : Brigitte Fassbaender's Winterreise /$rLawrence Kramer --$tVocal embodiment and performing language in Waiting for the Barbarians : Philip Glass's adaptation of J.M. Coetzee's novel /$rMichael Halliwell --$tOperatic hyperreality in the twenty-first century : performance documentation in high-definition quality /$rBernhard Kuhn --$tJazz novels and the textualization of musical performance /$rEmily Petermann --$tCharles Mingus and performative composing /$rMario Dunkel --$tWittgenstein and Schoenberg on performativity of music as method for philosophy /$rKatrin Eggers --$tSeeing words and music as a painter might : the interart aesthetic /$rPeter Dayan --$tMilian Kundera's polyphonic novels and the poetics of divestment /$rDavid Mosley.
650 0 $aMusic and literature$vCongresses.
650 0 $aMusic$xPhilosophy and aesthetics$vCongresses.
655 7 $aConference proceedings.$2fast
700 1 $aBernhart, Walter.
700 1 $aHalliwell, Michael,$d1950-
830 0 $aWord and music studies ;$v12.
988 $a20120723
049 $aHMUU
906 $0OCLC