| Record ID | harvard_bibliographic_metadata/ab.bib.13.20150123.full.mrc:368861815:1570 |
| Source | harvard_bibliographic_metadata |
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LEADER: 01570cam a2200337 a 4500
001 013325181-0
005 20120809094549.0
008 110809s2012 enkaf b 001 0 eng
010 $a 2011033880
016 7 $a015964333$2Uk
020 $a9780754669227 (hardcover : alk. paper)
020 $a075466922X (hardcover : alk. paper)
035 0 $aocn747331928
040 $aDLC$beng$cDLC$dYDX$dUKMGB$dERASA$dYDXCP$dOCLCO$dBWX
042 $apcc
043 $ae-uk---
050 00 $aND497.T8$bC75 2012
082 00 $a759.2$223
100 1 $aCostello, Leo.
245 10 $aJ.M.W. Turner and the subject of history /$cLeo Costello.
260 $aFarnham, Surrey ;$aBurlington, VT :$bAshgate,$cc2012.
300 $axix, 259 p., [26] p. of col. plates :$bill. (some col.) ;$c25 cm.
504 $aIncludes bibliographical references and index.
505 0 $aIntroduction -- "A great and dreadful sea-fight" : the Battle of Trafalgar (1806-8) and the end of contemporary history painting -- "The conception of a swamp'd world" : destruction and creation in painting/history -- "This cross-fire of colours" : Turner and the varnishing days -- "In Venice now" : history, nature, and the body of the subject -- The slave ship : painting/abolition/history -- Conclusion.
600 10 $aTurner, J. M. W.$q(Joseph Mallord William),$d1775-1851$xCriticism and interpretation.
650 0 $aHistory in art.
650 0 $aArt and history$zGreat Britain.
700 1 $aTurner, J. M. W.$q(Joseph Mallord William),$d1775-1851.
899 $a415_565082
988 $a20120809
906 $0DLC