| Record ID | harvard_bibliographic_metadata/ab.bib.13.20150123.full.mrc:369407620:1706 |
| Source | harvard_bibliographic_metadata |
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LEADER: 01706cam a2200397 a 4500
001 013325609-X
005 20120920190002.0
008 120127s2013 enka b 001 0 eng
010 $a 2012002519
016 7 $a015461939$2Uk
020 $a9780415454346 (hardback : alk. paper)
020 $a0415454344 (hardback : alk. paper)
020 $a9780415454353 (pbk. : alk. paper)
020 $a0415454352 (pbk. : alk. paper)
020 $a9780203816219 (ebook)
020 $a0203816218 (ebook)
035 0 $aocn775271589
040 $aDLC$beng$cDLC$dYDX$dYDXCP$dOCLCO$dUKMGB$dERASA
042 $apcc
043 $an-us-ny
050 00 $aPS3556.O7344$bZ68 2013
082 00 $a812/.54$223
100 1 $aCummings, Scott T.,$d1953-
245 10 $aMaria Irene Fornes /$cScott T. Cummings.
260 $aAbingdon, Oxon ;$aNew York :$bRoutledge,$c2013.
300 $axxiv, 205 p. :$bill. ;$c21 cm.
490 1 $aRoutledge modern and contemporary dramatists
504 $aIncludes bibliographical references and index.
505 0 $aOverview -- The 1960s. Getting started -- Off-off Broadway: the good scene -- Key play: Promenade (the apotheosis of Judson) -- The 1970s. Finding a way -- Key play: Fefu and her friends (turning over the stone) -- The 1980s. Found -- The PAJ plays -- Key play: Abingdon Square (conquering the vagueness) -- The 1990s. The night plays -- Coming to an end.
600 10 $aFornes, Maria Irene$xCriticism and interpretation.
650 0 $aTheater$xProduction and direction$zNew York (State)$zNew York$xHistory$y20th century.
830 0 $aRoutledge modern and contemporary dramatists.
899 $a415_565232
899 $a415_565426
988 $a20120809
906 $0DLC