MARC Record from harvard_bibliographic_metadata

LEADER: 01877cam a2200301M 4500
001 013326233-2
005 20120907191837.0
008 111215s2012 ne 000 0 eng d
020 $a9789056628581
020 $a9056628585
035 0 $aocn768569704
040 $aERASA$beng$cERASA$dOCLCQ$dBTCTA$dYDXCP
050 4 $aN6490
082 04 $a700.411.2
245 00 $aAutonomy :$bNew forms of freedom and independence in art and culture /$cJorinde Seijdel; Liesbeth Melis.
260 $aRotterdam :$bNAI$c2012.
300 $a176 p. :$bill. ;$c24 cm.
490 1 $aOpen : Cahier on Art and the Public Domain ;$v23
520 8 $aCan autonomy be a means to reinforce the public relevance of art and culture? "Open 23" examines this question and discusses new forms and meanings of autonomy for artistic and cultural practice. The modern notion of autonomy, in which the creator keeps sociopolitical reality at bay in the privacy of his workshop or studio, fell apart due to its own limitations. The current rightƯwing/populist political course, both in the Netherlands and in other Western countries, is provoking resistance and calls for creative displays of responsibility and solidarity. Yet the ideological engagement that posits itself in opposition to autonomy, in this era of 'deƯideologizing' and neoliberalism, seems equally unsustainable. The question is whether the concept of autonomy can be reinvented, in a way that ideas like freedom, privacy, selfƯdetermination and independence can be given substance without losing contact with the social sphere.
650 0 $aFreedom of expression.
650 0 $aArt and society.
700 1 $aSeijdel, Jorinde.
700 1 $aMelis, Liesbeth.
830 0 $aOpen (Amsterdam, Netherlands).$lEnglish ;$vnr.23.
830 0 $aOpen (Amsterdam, Netherlands).$lEnglish ;$v23.
988 $a20120810
049 $aFLLM
906 $0OCLC