| Record ID | harvard_bibliographic_metadata/ab.bib.13.20150123.full.mrc:372575935:1421 |
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LEADER: 01421cam a2200325 a 4500
001 013328136-1
005 20120814224548.0
008 120103s2012 nyu bq 001 0deng
010 $a 2011052878
020 $a9781137009180 (alk. paper)
020 $a1137009187 (alk. paper)
035 0 $aocn770695296
035 $a(PromptCat)40021178959
040 $aDLC$beng$cDLC$dYDX$dBTCTA$dYDXCP$dERASA$dOCLCO$dBWX
041 1 $aeng$hpor
042 $apcc
050 00 $aPN2474.M44$bB8413 2012
082 00 $a791.4302/8092$223
100 1 $aBueno, Eva Paulino.
240 10 $aArtista do povo.$lEnglish
245 10 $aAmácio Mazzaropi in the film and culture of Brazil :$bafter cinema novo /$cEva Paulino Bueno.
250 $a1st ed.
260 $aNew York :$bPalgrave Macmillan,$c2012.
300 $axiv, 196 p. ;$c23 cm.
504 $aIncludes bibliographical references, filmography and index.
505 0 $aIntroduction -- Between a cow and a truck: transformation in Mazzaropi's first films -- The divided self: defining Brazil in race, language, and origin -- I believe in everything: religion, mysticism, god, the devil, and a white mare -- History, resistance, comedy -- On accordions, kisses, and foot odor: the gendered and the cosmic body in Mazzaropi's films -- Conclusion.
600 10 $aMazzaropi, Amácio,$d1912-1981$xCriticism and interpretation.
899 $a415_565471
988 $a20120814
906 $0DLC