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Record ID harvard_bibliographic_metadata/ab.bib.13.20150123.full.mrc:391537776:3335
Source harvard_bibliographic_metadata
Download Link /show-records/harvard_bibliographic_metadata/ab.bib.13.20150123.full.mrc:391537776:3335?format=raw

LEADER: 03335cam a2200421 a 4500
001 013343407-9
005 20120906122136.0
008 120221s2012 nyu b 001 0 eng
010 $a 2012007346
020 $a9781107021266 (hardback)
020 $a110702126X (hardback)
035 0 $aocn779472223
040 $aDLC$beng$cDLC$dBTCTA$dYDXCP$dOCLCO$dCDX$dXII$dBWX
042 $apcc
050 00 $aPR468.S43$bS37 2012
082 00 $a823/.809355$223
084 $aLIT004120$2bisacsh
100 1 $aSchramm, Jan-Melissa.
245 10 $aAtonement and self-sacrifice in nineteenth-century narrative /$cJan-Melissa Schramm.
260 $aNew York :$bCambridge University Press,$c2012.
300 $axi, 289 p. ;$c24 cm.
490 1 $aCambridge studies in nineteenth-century literature and culture ;$v80
520 $a"Jan-Melissa Schramm explores the conflicted attitude of the Victorian novel to sacrifice, and the act of substitution on which it depends. The Christian idea of redemption celebrated the suffering of the innocent: to embrace a life of metaphorical self-sacrifice was to follow in the footsteps of Christ's literal Passion. Moreover, the ethical agenda of fiction relied on the expansion of sympathy which imaginative substitution was seen to encourage. But Victorian criminal law sought to calibrate punishment and culpability as it repudiated archaic models of sacrifice that scapegoated the innocent. The tension between these models is registered creatively in the fiction of novelists such as Dickens, Gaskell and Eliot, at a time when acts of Chartist protest, national sacrifices made during the Crimean War, and the extension of the franchise combined to call into question what it means for one man to 'stand for', and perhaps even 'die for', another"--$cProvided by publisher.
504 $aIncludes bibliographical references (p. 268-285) and index.
505 0 $aIntroduction: (Unmerited) suffering and the uses of adversity in Victorian public discourse -- 1. "It is expedient that one man should die for the people" : sympathy and substitution on the scaffold -- 2. "Fortune takes the place of guilt" : narrative reversals and the literary afterlives of Eugene Aram -- 3. "Standing for" the people : Charles Dickens, Elizabeth Gaskell and professional oratory in 1848 -- 4. Sacrifice and the sufferings of the substitute : Dickens and the atonement controversy of the 1850s -- 5. Substitution and imposture : George Eliot, Anthony Trollope and fictions of usurpation -- Conclusion: Innocence, sacrifice, and wrongful accusation in Victorian fiction.
650 0 $aEnglish fiction$y19th century$xHistory and criticism.
650 0 $aSelf-sacrifice in literature.
650 0 $aAtonement in literature.
650 0 $aSelf in literature.
600 10 $aAram, Eugene,$d1704-1759.
600 10 $aDickens, Charles,$d1812-1870$xCriticism and interpretation.
600 10 $aGaskell, Elizabeth Cleghorn,$d1810-1865$xCriticism and interpretation.
600 10 $aEliot, George,$d1819-1880$xCriticism and interpretation.
600 10 $aTrollope, Anthony,$d1815-1882$xCriticism and interpretation.
650 7 $aLITERARY CRITICISM / European / English, Irish, Scottish, Welsh.$2bisacsh
830 0 $aCambridge studies in nineteenth-century literature and culture ;$v80.
988 $a20120906
906 $0DLC