| Record ID | harvard_bibliographic_metadata/ab.bib.13.20150123.full.mrc:41413133:1196 |
| Source | harvard_bibliographic_metadata |
| Download Link | /show-records/harvard_bibliographic_metadata/ab.bib.13.20150123.full.mrc:41413133:1196?format=raw |
LEADER: 01196cam a2200373 a 4500
001 013037911-5
005 20130703115944.0
008 100308s2009 it a b 001 0 ita
010 $a 2010412046
020 $a9788857500188
020 $a8857500187
035 0 $aocn515401632
040 $aDLC$beng$cDLC$dC3L$dZCU
041 0 $aita$beng
042 $apcc
043 $aa-uz---
045 $ab0d3
050 00 $aND2824.7.U93$bS363 2009
082 14 $a751$221
100 1 $aCompareti, Matteo,$d1971-
245 10 $aSamarcanda centro del mondo :$bproposte di lettura del ciclo pittorico di Afrāsyāb /$cMatteo Compareti.
260 $aMilano :$bMimesis,$cc2009.
300 $a265 p. :$bill., maps ;$c21 cm.
490 1 $aSimory ;$v[20]
546 $aText in Italian, with summary in English.
504 $aIncludes bibliographical references (p. 223-250) and index.
650 0 $aArchaeology, Medieval$zUzbekistan$zSamarqand.
650 0 $aMural painting and decoration, Uzbek$zUzbekistan$zSamarqand$xThemes, motives.
651 0 $aSamarqand (Uzbekistan)$xAntiquities.
830 0 $aSīmorg ;$vn. 20.
899 $a415_565195
988 $a20120110
049 $aHFLA
906 $0DLC