| Record ID | harvard_bibliographic_metadata/ab.bib.13.20150123.full.mrc:425983347:1444 |
| Source | harvard_bibliographic_metadata |
| Download Link | /show-records/harvard_bibliographic_metadata/ab.bib.13.20150123.full.mrc:425983347:1444?format=raw |
LEADER: 01444cam a2200337Ia 4500
001 013373384-X
005 20130725100215.0
008 120827s2012 enka b 101 0 eng d
016 7 $a016220773$2Uk
020 $a9781908590435
020 $a1908590432
035 0 $aocn811970449
040 $aUKMGB$beng$cCNNGC$dOCLCO$dQGK$dYDXCP$dUKMGB$dOSU
041 0 $aeng$bfre
050 14 $aN8243.S576$bS53 2012
245 04 $aThe slave in European art :$bfrom Renaissance trophy to abolitionist emblem /$cedited by Elizabeth McGrath and Jean Michel Massing.
246 30 $aFrom Renaissance trophy to abolitionist emblem.
260 $aLondon :$bWarburg Institute ;$aTurin :$bNino Aragno Editore,$c2012.
300 $ax, 386 p. :$bill. (some col.) ;$c25 cm.
490 1 $aWarburg Institute Colloquia ;$v20
500 $a"This volume had its origin in a conference held at the Warburg Institute in 2007, the bicentenary of the ending of the slave trade by Britain. [The conference was] entitled "The Iconography of Slavery in Europe, 1500-1800..." --Preface.
504 $aIncludes bibliographical reference and index.
546 $aText in English with some text in French.
650 0 $aSlavery in art$vCongresses.
650 0 $aArt, European$vCongresses.
700 1 $aMcGrath, Elizabeth.
700 1 $aMassing, Jean Michel.
710 2 $aWarburg Institute.
830 0 $aWarburg Institute colloquia ;$v20.
988 $a20121008
906 $0OCLC