| Record ID | harvard_bibliographic_metadata/ab.bib.13.20150123.full.mrc:430625288:2024 |
| Source | harvard_bibliographic_metadata |
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LEADER: 02024cam a2200421 i 4500
001 013376983-6
005 20121022153822.0
008 120223s2013 nyu b 001 0 eng
010 $a 2012007691
020 $a9780415898393 (hardback)
020 $a9780415898409 (pb)
020 $a9780203100134 (ebook)
035 0 $aocn742512498
040 $aDLC$beng$cDLC$erda$dDLC
042 $apcc
050 00 $aNA2710$b.F58 2013
082 00 $a720.28/4$223
084 $aARC000000$aARC004000$aARC012000$2bisacsh
100 1 $aForget, Thomas.
245 14 $aThe construction of drawings and movies :$bmodels for architectural design and analysis /$cThomas Forget.
264 1 $aLondon ;$aNew York :$bRoutledge,$c2013.
300 $axi, 260 pages :$billustrations ;$c26 cm
336 $atext$2rdacontent
337 $aunmediated$2rdamedia
338 $avolume$2rdacarrier
520 $a"Here, clearly demonstrated, are principles for constructing linear perspective drawings and experimental works of cinema that will help you use digital tools in the design studio, get you thinking"--$cProvided by publisher.
504 $aIncludes bibliographical references and index.
505 0 $aIntroduction: Analytical & Pictorial Imagery -- Logics of Construction. The Demystification of Linear Perspective -- The Making of a Movie -- Matters of History. The Non-linear Progression of Linear Perspective -- The Extents and Limits of Architecture-Cinema -- Indeterminate Projections. Architectural Drawings -- Architectural Movies -- Epilogue: The Reflexivity of Architecture and Projection.
650 0 $aPerspective.
650 0 $aArchitectural drawing$xTechnique.
650 0 $aArchitectural drawing$xData processing.
650 0 $aExperimental films$xProduction and direction.
650 7 $aARCHITECTURE / General.$2bisacsh
650 7 $aARCHITECTURE / Design, Drafting, Drawing & Presentation.$2bisacsh
650 7 $aARCHITECTURE / Reference.$2bisacsh
899 $a235_439308
988 $a20121012
906 $0DLC