MARC Record from harvard_bibliographic_metadata

LEADER: 02089cam a2200385 a 4500
001 013380579-4
005 20121017224612.0
008 120109s2012 nyua b 001 0 eng
010 $a 2012000420
020 $a9780230341395 (hardback)
020 $a023034139X (hardback)
035 0 $aocn769987229
035 $a(PromptCat)40021402899
040 $aDLC$beng$cDLC$dYDX$dBTCTA$dOCLCO$dERASA$dYDXCP$dOCLCO$dCDX$dBWX
042 $apcc
050 00 $aPR4487.R4$bE93 2012
082 00 $a821/.7$223
084 $aLIT004120$aLIT014000$aLIT000000$2bisacsh
100 1 $aEvans, Murray J.$q(Murray James),$d1949-
245 10 $aSublime Coleridge :$bthe Opus Maximum /$cMurray J. Evans.
250 $a1st ed.
260 $aNew York :$bPalgrave Macmillan,$c2012.
300 $axx, 199 p. :$bill. ;$c23 cm.
490 1 $aNineteenth-century major lives and letters
520 $a"Sublime Coleridge focuses on the role of the Opus Maximum in explaining Samuel Taylor Coleridge's ideas about religion, psychology, and the sublime. The Opus, written in the early 1820s and first published in 2002, is a challenge to every scholar who has encountered it. Sublime Coleridge introduces each major theme of the Opus Maximum--the Will, divine ideas, human subjectivity, and the Trinity--and shows their importance for the rest of his work. A final chapter analyzes how the Opus Maximum clarifies Coleridge's writing elsewhere on the sublime. Sublime Coleridge is an introduction, a reader's guide, and an interpretation of this central text in British Romanticism"--$cProvided by publisher.
504 $aIncludes bibliographical references and index.
600 10 $aColeridge, Samuel Taylor,$d1772-1834$xReligion.
600 10 $aColeridge, Samuel Taylor,$d1772-1834.$tOpus Maximum.
650 7 $aLITERARY CRITICISM / European / English, Irish, Scottish, Welsh.$2bisacsh
650 7 $aLITERARY CRITICISM / Poetry.$2bisacsh
650 7 $aLITERARY CRITICISM / General.$2bisacsh
830 0 $aNineteenth-century major lives and letters.
899 $a415_565829
988 $a20121017
906 $0DLC