Record ID | harvard_bibliographic_metadata/ab.bib.13.20150123.full.mrc:448220702:1795 |
Source | harvard_bibliographic_metadata |
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LEADER: 01795cam a2200409 a 4500
001 013395785-3
005 20130104083726.0
008 120829s2012 enka b 001 0 eng
010 $a 2012034846
020 $a9781441125637 (hardback)
020 $a1441125639 (hardback)
020 $a9781441135759 (ebook)
020 $a1441135758 (ebook)
020 $a9781441102614 (pdf)
020 $a1441102612 (pdf)
035 0 $aocn809365721
040 $aDLC$beng$cDLC$dYDX$dOCLCO$dYDXCP
042 $apcc
050 00 $aGV1815$b.B68 2012
082 00 $a791.3$223
100 1 $aBouissac, Paul.
245 10 $aCircus as multimodal discourse :$bperformance, meaning and ritual /$cPaul Bouissac.
260 $aLondon ;$aNew York :$bBloomsbury Academic,$c2012.
300 $a216 p. :$bill. ;$c24 cm.
504 $aIncludes bibliographical references and index.
505 0 $aCircus performances as rituals: participative ethnography -- The textility of circus acts: disentangling cognition and pleasure -- Magic in the ring -- Horses which speak, count, and laugh -- Steeds and symbols: multimodal metaphors -- The staging of actions: heroes, anti-heroes, and animal actors -- Circus animals as symbols, actors, and persons -- Dancing with tigers, lying with lions: translating biology into art -- Clowns at work: a socio-critical discourse -- The imaginary circus -- Ideology and politics in the circus ring -- The post-animal circus.
650 0 $aCircus$xSocial aspects.
650 0 $aPerforming arts$xSemiotics.
650 0 $aDiscourse analysis$xSocial aspects.
650 0 $aVisual communication.
650 0 $aMultimedia communications.
650 0 $aModality (Linguistics)
650 0 $aSemiotics.
899 $a415_565124
988 $a20121024
049 $aHFLA
906 $0DLC