| Record ID | harvard_bibliographic_metadata/ab.bib.13.20150123.full.mrc:452031088:1390 |
| Source | harvard_bibliographic_metadata |
| Download Link | /show-records/harvard_bibliographic_metadata/ab.bib.13.20150123.full.mrc:452031088:1390?format=raw |
LEADER: 01390cam a22002898a 4500
001 013398894-5
005 20130118101946.0
008 120127s2012 nyua 000 0 eng
010 $a 2012003869
016 7 $a016156357$2Uk
020 $a9781419703881 (alk. paper)
020 $a1419703889 (alk. paper)
035 $a(PromptCat)99950654620
035 0 $aocn774213756
040 $aDLC$beng$cDLC$dBTCTA$dBDX$dERASA$dUKMGB$dOCLCO$dYDXCP$dCDX$dORX$dBWX$dVP@
042 $apcc
050 00 $aPN1998.3.E325$bG86 2012
082 00 $a791.4302/8092$aB$223
100 1 $aGoldman, Michael R.
245 10 $aClint Eastwood :$bmaster filmmaker at work /$cMichael Goldman ; foreword, Steven Spielberg ; preface, Morgan Freeman.
260 $aNew York :$bAbrams,$cc2012.
300 $a238 p. :$bill. (some col.) ;$c27 x 31 cm.
505 0 $aForeword / by Steven Spielberg -- Preface: defining chemistry / by Morgan Freeman -- Introduction: good, creative, and prudent filmmaking -- Prologue: the groove -- The well oiled machine -- You like it or you don't -- The right places -- Watering the flower -- The darkness -- We'll figure it out -- Bummy colors -- Finding the moments -- What mood sounds like -- Joining the revolution -- Epilogue: another breath of fresh air.
600 10 $aEastwood, Clint,$d1930-$xCriticism and interpretation.
899 $a415_565232
988 $a20121029
906 $0DLC