| Record ID | harvard_bibliographic_metadata/ab.bib.13.20150123.full.mrc:453752996:1757 |
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LEADER: 01757cam a22002774a 4500
001 013400424-8
005 20140619143355.0
008 120601s2012 ne a b 001 0 eng d
020 $a9789089644367
020 $a9089644369
035 0 $aocn794707005
040 $aERASA$cERASA$dOCLCQ$dOCLCO$dBDX$dCDX$dYDXCP$dBWK$dYNK$dOHX$dNDD
050 4 $aD840$b.D585 2012
072 7 $aCB$2lcco
082 04 $a900
245 00 $aDivided dreamworlds? :$bthe cultural Cold War in East and West /$cedited by Peter Romijn, Giles Scott-Smith, Joes Segal.
260 $aAmsterdam :$bAmsterdam University Press$c2012.
300 $aviii, 238 p. :$bill. ;$c24 cm.
490 1 $aStudies of the Netherlands Institute for War Documentation ;$v5
520 8 $aWith its unique focus on how culture contributed to the blurring of ideological boundaries between the East and the West, this important volume offers fascinating insights into the tensions, rivalries and occasional cooperation between the two blocs. Encompassing developments inboth the arts and sciences, the authors analyze focal points, aesthetic preferences and cultural phenomena through topics as wide-ranging as the East- and West German interior design; the Soviet stance on genetics; US cultural diplomacy during and after the Cold War; and the role of popular music as a universal cultural ambassador. Well positioned at the cutting edge of Cold War studies, this important work illuminates some of the striking paradoxes involved in the production and reception of culture in East and West.
650 0 $aCold War$xSocial aspects.
650 0 $aCold War in popular culture.
830 0 $aStudies of the Netherlands Institute for War Documentation ;$v5.
988 $a20121030
049 $aHFLA
906 $0OCLC