MARC Record from harvard_bibliographic_metadata

LEADER: 01997cam a22003254a 4500
001 013400544-9
005 20130102140951.0
008 121002s2012 enka bc 001 0 eng d
020 $a1908326166
020 $a9781908326164
035 0 $aocn811732114
040 $aYDXCP$cYDXCP$dYNK$dNDD
050 4 $aNE642.C637$bA4 2012
100 1 $aClarke, Geoffrey,$d1924-
245 10 $aGeoffrey Clarke :$ba sculptor's prints /$cJudith LeGrove.
246 30 $aSculptor's prints
260 $aBristol, U.K. :$bSansom & Company,$c2012.
300 $a248 p. :$bill. (some col.) ;$c29 cm.
505 0 $aGeoffrey Clarke: a sculptor's prints -- Invisible worlds -- Sculptural visions -- Cultures of production / Geoffrey Clarke -- `Exposition of a Belief' (1951) -- Catalogue.
520 $aGeoffrey Clarke: a sculptor's prints is the first in-depth study of the graphic work of Geoffrey Clarke, and includes a catalogue raisonné of his etchings and lithographs from 1948 to 2003. Geoffrey Clarke has produced more than 200 etchings, some 3,500 monotypes and more than 20 lithographs. The book addresses for the first time the centrality of graphic work to Clarke's practice, relating it not just to his sculpture but to his work in stained glass, textiles, furniture and wallpaper. A final section documents the channels through which Clarke's prints were commissioned, exhibited and disseminated during the 1950s and 1960s, making his work among the most widely seen and 'marketable' of British artists during the flowering of mid-twentieth-century British print making. -- Publisher's blurb.
504 $aIncludes bibliographical references (p. 242-244) and index.
600 10 $aClarke, Geoffrey,$d1924-$vCatalogs.
650 0 $aPrints, British$vCatalogs.
600 10 $aClarke, Geoffrey,$d1924-2014$vCatalogues raisonnés.
650 0 $aPrints, British$y20th century$vCatalogs.
655 7 $aCatalogs.$2fast
700 1 $aLeGrove, Judith.
899 $a415_565082
988 $a20121030
906 $0OCLC