MARC Record from harvard_bibliographic_metadata

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001 013400626-7
005 20121031103530.0
008 120112s2012 enka b 001 0 eng
010 $a 2012001679
015 $aGBB223933$2bnb
016 7 $a016044835$2Uk
020 $a9781409405627 (hardcover : alk. paper)
020 $a1409405621 (hardcover : alk. paper)
020 $a9781409406785 (pbk. : alk. paper)
020 $a1409406784 (pbk. : alk. paper)
020 $a9781409449331 (ebook)
020 $a1409449335 (ebook)
035 0 $aocn774021170
040 $aDLC$beng$cDLC$dYDX$dBTCTA$dYDXCP$dOCLCO$dCDX$dOCLCO$dUKMGB$dBWX
042 $apcc
050 00 $aML3470$b.A77 2012
082 00 $a781.49$223
245 04 $aThe art of record production :$ban introductory reader for a new academic field /$cedited by Simon Frith, Simon Zagorski-Thomas.
260 $aFarnham, Surrey ;$aBurlington, VT :$bAshgate,$cc2012.
300 $axix, 301 p. :$bill. ;$c24 cm.
490 1 $aAshgate popular and folk music series
504 $aIncludes bibliographical references and index.
505 00 $tIntroduction /$rSimon Frith, Simon Zaborski-Thomas --$tThe lacquer disc for immediate playback : professional recording and home recording from the 1920s to the 1950s /$rGeorge Brock-Nannestad --$tThe sounds of space : studio as instrument in the era of high fidelity /$rSusan Schmidt Horning --$tNo-fi : crafting a language of recorded music in 1950s pop /$rAlbin Zak III --$tThe US vs. the UK sound : meaning in music production /$rSimon Zagorski-Thomas --$tThe end of the world as we know it : the changing role of the studio in the age of the internet /$rPaul Théberge --$tBeyond a musicology of production /$rAllan Moore --$t"I'm not hearing what you're hearing" : the conflict and connection of headphone mixes and multiple audioscapes /$rAlan Williams --$tThe self-effacing producer : absence summons presence /$rMichael Jarrett --$tRethinking creativity : record production and the systems model /$rPhillip McIntyre --$tConsidering space in recorded music /$rWilliam Moylan --$tSimulating the ideal performance : Suvi Raj Grubb and classical music production /$rAndrew Blake --$tThe place of the producer in the discourse of rock /$rSimon Frith --$tThe Beach Boys' Pet sounds and the musicology of record production /$rJan Butler --$tTubby's dub style : the live art of record production /$rSean Williams --$tRecording the revolution : 50 years of music studios in revolutionary Cuba /$rJan Fairley, Alexandrine Boudreault-Fournier.
520 $aThis book is designed as a general introductory reader, a textbook for undergraduate degree courses studying the creative processes involved in the production of recorded music. The aim is to introduce students to the variety of approaches and methodologies that are currently being employed by scholars in this field. The book is divided into three sections covering historical approaches, theoretical approaches and case studies and practice. There are also three interludes of commentary on the academic contributions from leading record producers and other industry professionals.
650 0 $aPopular music$xProduction and direction.
650 0 $aSound recordings$xProduction and direction.
700 1 $aFrith, Simon,$d1946-
700 1 $aZagorski-Thomas, Simon.
830 0 $aAshgate popular and folk music series.
988 $a20121031
049 $aHMUU
906 $0DLC