MARC Record from harvard_bibliographic_metadata

LEADER: 04168cam a2200469 a 4500
001 013466519-8
005 20121117224537.0
008 120703s2012 nyua bq 001 0 eng
010 $a 2012024973
020 $a9780857457684 (hardback : alk. paper)
020 $a0857457683 (hardback : alk. paper)
020 $a9780857457691 (e-book)
020 $a0857457691 (e-book)
035 0 $aocn785874501
035 $a(PromptCat)40021536204
040 $aDLC$beng$cDLC$dYDX$dBTCTA$dERASA$dOCLCO$dYDXCP$dBWX
042 $apcc
043 $ae-gx---$aa-tu---
050 00 $aPN1993.5.G3$bT86 2012
082 00 $a791.43094309/05$223
245 00 $aTurkish German cinema in the new millennium :$bsites, sounds, and screens /$cedited by Sabine Hake and Barbara Mennel.
250 $a1st ed.
260 $aNew York :$bBerghahn Books,$c2012.
300 $aviii, 251 p. :$bill. ;$c24 cm.
490 1 $aFilm Europa: German cinema in an international context
504 $aIncludes bibliographical references and index.
504 $aIncludes filmography.
505 0 $aIntroduction -- CONFIGURATIONS OF STEREOTYPES AND IDENTITIES: NEW METHODOLOGIES. Daniela Berghahn: My big fat Turkish wedding: from culture clash to romcom -- David Gramling: The oblivion of influence: mythical realism in Feo Alada's When we leave -- Marco Abel: The minor cinema of Thomas Arslan: a prolegomenon -- MULTIPLE SCREENS AND PLATFORMS: FROM DOCUMENTARY AND TELEVISION TO INSTALLATION ART. Angelica Fenner: Roots and routes of the diasporic documentarian: a psychogeography of Fatih Akin's We forgot to go back -- Ingeborg Majer-O'Sickey: Gendered kicks: Buket Alakus's and Aysun Bademsoy's soccer films -- Nilgan Bayraktar: Location and mobility in Kutlu Ataman's site-specific video installation Kuba -- Brent Peterson: Turkish for beginners: teaching cosmopolitanism to Germans -- Brad Prager: "Only the wounded honor fights": Zili Alada's rage and the drama of the Turkish German perpetrator -- INSTITUTIONAL CONTEXTS: STARS, THEATERS, AND RECEPTION. Randall Halle: The German Turkish spectator and Turkish language film programming: Karli Kino, maximum distribution, and the interzone cinema -- Berna Gueneli: Mehmet Kurtulu and Birol Ünel: Sexualized masculinities, normalized ethnicities -- Karolin Machtans: The perception and marketing of Fatih Akin in the German press -- Ayìa Tunì Cox: Hyphenated identities: the reception of Turkish-German cinema in the Turkish daily press -- THE CINEMA OF FATIH AKIN: AUTHORSHIP, IDENTITY, AND BEYOND. Mine Eren: Cosmopolitan filmmaking: Fatih Akin's In July and Head-on -- Roger Hillman and Vivien Silvey: Remixing Hamburg: transnationalism in Fatih Akin's Soul kitchen -- Deniz Gukturk: World cinema goes digital: looking at Europe from the other shore.
520 $aIn the last five years of the twentieth century, films by the second and third generation of the so-called German guest workers exploded onto the German film landscape. Self-confident, articulate, and dynamic, these films situate themselves in the global exchange of cinematic images, citing and rewriting American gangster narratives, Kung Fu action films, and paralleling other emergent European minority cinemas. This, the first book-length study on the topic, will function as an introduction to this emergent and growing cinema and offer a survey of important films and directors of the last two decades. In addition, it intervenes in the theoretical debates about Turkish German culture by engaging with different methodological approaches that originate in film studies.
650 0 $aMotion pictures$zGermany$xHistory$y21st century.
650 0 $aMotion pictures, Turkish$zGermany$xHistory$y21st century.
650 0 $aForeign language films$zGermany$xHistory$y21st century.
650 0 $aStereotypes (Social psychology) in motion pictures.
650 0 $aCulture in motion pictures.
650 0 $aMotion pictures and transnationalism.
650 0 $aMotion picture audiences$zGermany.
700 1 $aHake, Sabine,$d1956-
700 1 $aMennel, Barbara Caroline.
830 0 $aFilm Europa.
899 $a415_565471
988 $a20121117
906 $0DLC