| Record ID | harvard_bibliographic_metadata/ab.bib.13.20150123.full.mrc:551870166:1598 |
| Source | harvard_bibliographic_metadata |
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LEADER: 01598cam a22003858a 4500
001 013506854-1
005 20121204224617.0
008 120319s2012 nyu b 001 0 eng
010 $a 2012010220
016 7 $a016049103$2Uk
020 $a9780415899154
020 $a041589915X
035 0 $aocn724642252
035 $a(PromptCat)40021592972
040 $aDLC$beng$cDLC$dBTCTA$dYDXCP$dERASA$dUKMGB$dOCLCO$dJCU$dCDX$dBWX
042 $apcc
050 00 $aPN1995.9.F396$bB38 2012
082 00 $a791.4301$223
100 1 $aBarker, Jennifer Lynde.
245 14 $aThe aesthetics of antifascist film :$bradical projection /$cJennifer Lynde Barker.
260 $aNew York :$bRoutledge,$c2012.
300 $ap.$ccm.
490 0 $aRoutledge advances in film studies ;$v19
504 $aIncludes bibliographical references and index.
505 0 $aIntroduction: face-to-face with the angel of history -- Murderers among us: WWII, antifascism and film. The swastika world and the aesthetics of resistance -- Radical projection -- Great dictators -- Paranoia and pedagogy -- Global exiles during The Cold War. Radical beauty -- Forbidden games -- Perversion and pervasion -- Radical transmissions.
650 0 $aFascism in motion pictures.
650 0 $aAnti-fascist movements in motion pictures.
650 0 $aMotion pictures$xPolitical aspects.
650 0 $aMotion pictures$xAesthetics.
650 0 $aWorld War, 1939-1945$xMotion pictures and the war.
650 0 $aCold War in motion pictures.
650 0 $aFascist aesthetics.
899 $a415_565471
988 $a20121204
906 $0DLC