MARC Record from harvard_bibliographic_metadata

LEADER: 03918nam a22004214a 4500
001 013519946-8
005 20140103185822.0
008 120120s2012 enkab b 001 0 eng d
010 $a 2012931347
020 $a9781409431060 (hbk.)
020 $a1409431061 (hbk.)
035 0 $aocn781499063
035 $a(YANKEE)40021663596
040 $aUKMGB$beng$cUKMGB$dBTCTA$dOCLCO$dYDXCP$dOCLCO$dBWX$dQGK$dPAU$dCDX$dPIT$dCOD$dDLC
041 0 $aeng$afre
042 $alccopycat
050 00 $aML193$b.M867 2012
082 04 $a780.79$223
245 00 $aMusic and patronage /$cedited by Paul A. Merkley.
260 $aFarnham :$bAshgate,$c2012.
300 $axxvii, 597 p. :$bill., maps ;$c25 cm.
490 1 $aLibrary of essays on music, politics and society
546 $aTwenty -one chapters in English; two chapters in French.
504 $aIncludes bibliographical references and index.
505 0 $aIntroduction; Part I The State: New developments in the social history of music and musicians in ancient Iraq, Syria and Turkey, Sam Mirelman; Tradition and transition: the performing arts in medieval North India, Madhu Trivedi; Renaissance novellara: musical life in the Gonzaga hinterland, Iain Fenlon; Joseph Haydn and Beethoven between court and nobility, John A. Rice; The music programmes take shape, 1926-1927, Jennifer Doctor; 'A flutter in the orchestras': the Ballets Russes and the Australian orchestral situation in the 1930s, Mark Carroll; 'Let us begin': arts policy during the Kennedy administration, Donna M. Binkiewicz; Background: IRCAM's conditions of existence, Georgina Born. Part II Court and Aristocracy: State sacrificial music in the Ming court, Joseph Sui Ching Lam; Ludovico Sforza as an 'emerging prince': networks of musical patronage in Milan, Paul A. Merkley; Court and religious music (1): history of gagaku and shomyo, Steven G. Nelson; Les patronages aristocratiques face au modèle royal, David Hennebelle; Beyond bibliography: interpreting Hawaiian-language Protestant hymn imprints, Amy Ku'uleialoha-Stillman; Winaretta Singer, Princess Edmond de Polignac, Myriam Chimènes; Woman patrons and activists for modernist music: New York in the 1920s, Carol J. Oja. Part III Economic Forces: Blowing your horn in the new economy, ca.1550, John Kmetz; The composition and the production of the opera score, Beth L. Glixon and Jonathan E. Glixon; The country visit, Ian Woodfield; Creating desire on Tin Pan Alley, Daniel Goldmark; The Selznick studio, 'Spellbound'' and the marketing of film music, Kyle S. Barnett; Entertainer vs artist: patronage and the negotiation of identity, Kelly M. Foreman; On the reproduction of the musical economy after the internet, Andrew Leyshon, Peter Webb, Shaun French, Nigel Thrift and Louise Crewe; Micro-independent record labels in the UK: discourse, DIY cultural production and the music industry, Robert Strachan.
520 $aPatronage has long figured in our historical understanding of music and, on an academic level, has been the subject of intense research over the past thirty years. The articles gathered together in this volume look at patronage in its broadest sense: individual and traditional court patronage as well as patronage within states and organizations. The subject is further explored by articles which discuss the means of distribution of music, such as printing and the internet, and the inclusion of music in collaborative arts such as film.--Provided by publisher
650 0 $aMusic$xHistory and criticism.
650 0 $aMusic patronage$xHistory.
650 0 $aMusic patronage$vCase studies.
650 0 $aGovernment aid to music.
655 7 $aCase studies.$2fast
655 7 $aCriticism, interpretation, etc.$2fast
655 7 $aHistory.$2fast
700 1 $aMerkley, Paul.
830 0 $aLibrary of essays on music, politics and society.
899 $a415_565328
988 $a20121218
906 $0OCLC