| Record ID | harvard_bibliographic_metadata/ab.bib.13.20150123.full.mrc:581932357:1322 |
| Source | harvard_bibliographic_metadata |
| Download Link | /show-records/harvard_bibliographic_metadata/ab.bib.13.20150123.full.mrc:581932357:1322?format=raw |
LEADER: 01322cam a2200313Ia 4500
001 013532104-2
005 20130424152125.0
008 120726s2012 enka b 001 0 eng d
015 $aGBB274486$2bnb
016 7 $a016135232$2Uk
020 $a9780297867838 (hbk.)
020 $a0297867830 (hbk.)
035 0 $aocn805012139
040 $aUKMGB$beng$cUKMGB$dOCLCO$dYDXCP$dCDX$dYNK$dUAT$dCGU$dTOH
043 $ae-uk-en$ae-uk---
050 4 $aDA27.5$b.M67 2012
082 04 $a942$223
100 1 $aMorris, Richard,$d1947-
245 10 $aTime's anvil :$bEngland, archaeology and the imagination /$cRichard Morris.
260 $aLondon :$bWeidenfeld & Nicolson,$c2012.
300 $axiii, 466 p. :$bill. ;$c24 cm.
504 $aIncludes bibliographical references (p. [396]-453) and index.
520 $aA lyrical rediscovery of the history of England through archaeology and the imagination. Zig zagging between prehistoric stone tools and Tudor theatre, primal wildwood and mass produced cars, this is a book like no other, brilliantly weaving interconnecting studies of apparently unrelated things and periods that are normally considered in isolation.
650 0 $aArchaeology and history$zEngland.
651 0 $aGreat Britain$xHistory.
899 $a415_565810
988 $a20130108
049 $aHLSS
906 $0OCLC