| Record ID | harvard_bibliographic_metadata/ab.bib.13.20150123.full.mrc:61544971:1297 |
| Source | harvard_bibliographic_metadata |
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008 851101s1667 enkg 00| | eng d
035 0 $aocm12745745
040 $aEAH$cEAH$dUMI$dWaOLN
090 $aMT40$b.S55 1667
100 1 $aSimpson, Christopher,$d-1669.
245 12 $aA compendium of practical musick in five parts :$bteaching, by a new and easie method ... /$cby Christopher Simpson.
260 $aLondon :$bPrinted by William Godbid for Henry Brome ...,$cMDCLXVII [1667]
300 $a[16], 176 p. :$bmusic.
500 $aEngraved frontispiece portrait of Simpson.
500 $aFirst edition, London, 1665, has title: The principles of practical music; subsequent editions, London, 1667-1775, published under titles: A compendium of practical musick, and, A compendium, or, Introduction to practical musick.
505 0 $a(from t.p.) 1. The rudiments of song -- 2. The principles of composition -- 3. The use of discords -- 4. The form of figurate descent -- 5. The contrivance of canon.
510 4 $aWing$cS3810
650 0 $aComposition (Music)
730 0 $aPrinciples of practical musick.
730 0 $aCompendium, or, Introduction to practical musick.
830 0 $aEarly English books online.$5net
988 $a20120112
906 $0OCLC