MARC Record from harvard_bibliographic_metadata

LEADER: 03599cam a2200541 i 4500
001 013590826-4
005 20130504133625.0
008 120731t20122012ctua bc 001 0 eng
010 $a 2012030896
016 7 $a016106730$2Uk
020 $a9780300176032 (hardback)
020 $a0300176031 (hardback)
035 0 $aocn830663285
035 0 $aocn785864614
040 $aDLC$erda$beng$cDLC$dYDX$dBTCTA$dERASA$dBDX$dOCLCO$dYDXCP$dYNK$dOUN$dBWX$dUKTTE$dGZM$dUKMGB
042 $apcc
050 00 $aNB497.C35$bA4 2012
082 00 $a730.92$223
084 $aART016030$aART015110$aART006000$aART026000$2bisacsh
100 1 $aBryant, Julius.
245 10 $aCaro :$bclose up /$cJulius Bryant and Martina Droth with an essay by Robert Storr.
264 1 $aNew Haven :$bYale University Press,$c[2012]
264 4 $c©2012
300 $ax, 230 pages :$billustrations (some color) ;$c28 cm
336 $atext$2rdacontent
337 $aunmediated$2rdamedia
338 $avolume$2rdacarrier
504 $aIncludes bibliographical references and index.
520 $a"With a career spanning more than sixty years, Anthony Caro (b. 1924) is one of Britain's most acclaimed and best-known sculptors. Caro: Close Up accompanies the first survey exhibition of his work in an American museum since his retrospective at the Museum of Modern Art in 1975. Although celebrated for his large, brightly painted abstract sculptures, Caro has also produced drawings and small-scale works of a more private nature throughout his career. The full range of his oeuvre includes works on paper, sculptures constructed in paper and cardboard, and abstract works of steel, bronze, and clay.Featuring new photography of more than sixty works drawn almost entirely from Caro's studio and family collections, this publication examines the critical responses that Caro's work has elicited from the 1950s to the present and considers his role in current artistic practice. The authors explore the ways the sculptor has used the physical properties of his materials, while Caro himself discusses his exhibition and installation practices"--$cProvided by publisher.
500 $aIssued in connection with an exhibition held October 18-December 30, 2012, Yale Center for British Art, New Haven, Connecticut.
505 00 $tCaro: close up /$rJulius Bryant --$tCaro and the critics: expanding the vocabulary of sculpture /$rJulius Bryant --$tCaro and the materials of sculpture /$rMartina Droth --$tOf acorns and oaks, "sons" and "fathers" /$rRobert Storr --$tChanging settings /$rAnthony Caro in conversation with Julius Bryant --
505 8 $aCatalogue / Julius Bryant. Early life drawings and Henry Moore ; Early drawings and bronzes ; Table sculptures ; Floating color ; Drawing in space ; Ceramic sculpture ; Table bronzes and silver ; Paper sculpture.
600 10 $aCaro, Anthony,$d1924-
650 7 $aART / History / Contemporary (1945-)$2bisacsh
600 10 $aCaro, Anthony,$d1924-$vExhibitions.
650 7 $aART / Individual Artists / Monographs.$2bisacsh
650 7 $aART / Collections, Catalogs, Exhibitions / General.$2bisacsh
650 7 $aART / Sculpture & Installation.$2bisacsh
600 10 $aCaro, Anthony,$d1924-2013$vExhibitions.
700 12 $aCaro, Anthony,$d1924-$tWorks.$kSelections.
700 1 $aDroth, Martina.
700 1 $aStorr, Robert.
710 2 $aYale Center for British Art.
700 12 $aCaro, Anthony,$d1924-2013.$tWorks.$kSelections.
700 12 $aCaro, Anthony,$d1924-2013.$tWorks.$kSelections.$f2012.
899 $a415_565082
988 $a20130114
906 $0DLC