| Record ID | harvard_bibliographic_metadata/ab.bib.13.20150123.full.mrc:637399316:1678 |
| Source | harvard_bibliographic_metadata |
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LEADER: 01678cam a2200241La 4500
001 013601328-7
005 20130124140938.0
008 120713s2011 ru a c 000 0drus d
035 0 $aocn804040003
040 $aNNMM$cMZA$dOCLCO
050 4 $aN6999.P48$bD36 2011
100 1 $aDaniėlʹ, S. M.$q(Sergeĭ Mikhaĭlovich)
245 10 $aKuzʹma Petrov-Vodkin :$bzhiznʹ i tvorchestvo, suzhdenii͡a ob iskusstve, sovremenniki o khudozhnike /$cS.M. Daniėlʹ
260 $aSankt-Peterburg :$bAvrora,$c2011.
300 $a124 p. :$bcol. ill. ;$c30 cm.
490 1 $aRusskoe iskusstvo, Zolotoi zapas
520 $aThe author gives biographical details that provide a background on the artist{u2019}s origins and education: his provincial home and attempts to educate himself; his study at the Stiglits Institute of Technical Drawing in St. Petersburg and at the Moscow School of Painting, Sculpture and Architecture; study trips to Germany, Italy and France; work in the studio of Valentin Serov. He then reviews the stages of Petrov-Vodkin{u2019}s career: how he associated with different artists{u2019} groups in the prerevolutionary years, but adhered to a style all his own; his commissions in the Soviet period that he managed to interpret independently refining a large and original talent without close analogies in twentieth-century art. -- Summary written by John W. Emerich, Bronze Horseman Literary Agency.
600 10 $aPetrov-Vodkin, Kuzʹma Sergeevich,$d1878-1939$xCriticism and interpretation.
600 10 $aPetrov-Vodkin, Kuzʹma Sergeevich,$d1878-1939$vCatalogs.
830 0 $aRusskoe iskusstvo, Zolotoi zapas.
899 $a415_565194
988 $a20130124
906 $0OCLC