| Record ID | harvard_bibliographic_metadata/ab.bib.13.20150123.full.mrc:678137713:1357 |
| Source | harvard_bibliographic_metadata |
| Download Link | /show-records/harvard_bibliographic_metadata/ab.bib.13.20150123.full.mrc:678137713:1357?format=raw |
LEADER: 01357cam a2200349 a 4500
001 013632757-5
005 20130312135112.0
008 120518s2013 nyug b 001 0 eng
010 $a 2012020061
020 $a9780415806701 (hbk.)
020 $a0415806704 (hbk.)
020 $z978020308080 (ebook)
035 0 $aocn824936236
040 $aDLC$cSTF$dNLE$dFDA
042 $apcc
043 $ae-uk-en
050 00 $aPR658.S42$bW77 2013
082 00 $a822/.09353$223
100 1 $aWong, Katrine K.,$d1980-
245 10 $aMusic and gender in English Renaissance drama /$cKatrine K. Wong.
260 $aNew York :$bRoutledge,$c2013.
300 $axvi, 216 p. :$bmusic ;$c24 cm.
490 1 $aRoutledge advances in theatre and performance studies ;$v25
504 $aIncludes bibliographical references (p. [191]-208) and index.
505 0 $aIntroduction -- "A damnd divel, or an angel?": music and women -- "Sing us a bawdy song, and make's merry": music and men -- "my heart is stolne out of my eare": music, love, and sex -- Conclusion.
650 0 $aEnglish drama$yEarly modern and Elizabethan, 1500-1600$xHistory and criticism.
650 0 $aSex role in literature.
650 0 $aSex in literature.
650 0 $aMusic in literature.
830 0 $aRoutledge advances in theatre and performance studies ;$v25.
988 $a20130312
906 $0DLC