MARC Record from harvard_bibliographic_metadata

LEADER: 03426cam a2200349 a 4500
001 013641565-2
005 20130325112949.0
008 120524s2012 nyua bc 001 0 eng c
010 $a 2012950682
020 $a9780870708282
020 $a0870708287
035 0 $aocn794364488
040 $aBTCTA$beng$cBTCTA$dERASA$dMMX$dOCLCO$dYDXCP$dNUI$dCPL$dOSU$dBWX
042 $apcc
050 4 $aN6494.A2$bI58 2012
245 00 $aInventing Abstraction, 1910-1925 :$bhow a radical idea changed modern art /$c[organized by] Leah Dickerman ; with contributions by Matthew Affron ... [et al.].
246 30 $aHow a radical idea changed modern art
260 $aNew York :$bMuseum of Modern Art :$bDistributed in the United States and Canada by Artbook/D.A.P.,$cc2012.
300 $a376 p. :$bill. (some col.) ;$c32 cm.
500 $a"Organized by Leah Dickerman, Curator, with Masha Chlenova, Curatorial Assistant, Department of Painting and Sculpture"--p. 375.
500 $a"Published in conjunction with the exhibition Inventing Abstraction, 1910-1925 at The Museum of Modern Art, New York, December 23, 2012-April 15, 2013"--p. 375.
504 $aIncludes bibliographical references and index.
505 00 $tInventing abstraction /$rLeah Dickerman --$tPablo Picasso : the Cadaqués experiment /$rYve-Alain Bois --$tColors and games : music and abstraction, 1909 to 1912 /$rDavid Lang --$tVasily Kandinsky, without words /$rLeah Dickerman --$tMr. Kupka among verticals /$rLanka Tattersall --$tOn the move /$rHubert Damisch --$tAbstraction chez Delaunay /$rGordon Hughes --$tContrasts of colors, contrasts of words /$rMatthew Affron --$tLéopold Survage's paper cinema /$rJodi Hauptman --$tWith color /$rRachael Z. Delue --$tFrancis Picabia : abstraction and sincerity /$rMichael R. Taylor --$tFernand Léger : metallic sensations /$rMatthew Affron --$tGiacomo Balla : the most luminous abstraction /$rEster Coen --$tParole in libertà /$rJodi Hauptman --$tMusic, noise, and abstraction /$rChristoph Cox --$tVorticism : planetary abstraction /$rMatthew Gale --$tPainting stripped bare /$rDavid Joselit --$tDecoration and abstraction in Bloomsbury /$rMatthew Affron --
505 00 $tAgainst the circle /$rRachael Z. Delue --$tEarly Russian abstraction, as such /$rMasha Chlenova --$t0.10 /$rMasha Chlenova --$tPiet Mondrian : toward the abolition of form /$rYve-Alain Bois --$t3 De Stijl models /$rYve-Alain Bois --$tThe spatial object /$rMaria Gough --$tThe language of revolution /$rMaria Gough --$tSense and non-sense /$rHal Foster --$tDanced abstraction : Rudolf von Laban /$rMark Franko -- Danced abstraction : Mary Wigman /$rMark Franko --$tThe color grid /$rLanka Tattersall --$tThe abstract environment /$rMaria Gough --$tEarly abstraction in Poland /$rJaroslaw Suchan --$tWhite shadows : photograms around 1922 /$rSusan Laxton --$tRhythmus 21 and the genesis of filmic abstraction /$rPhilippe-Alain Michaud --$tThe absolute film /$rAnton Kaes --$tConcrete abstraction /$rPeter Galison --$tAbstraction in 1936 : Barr's diagrams /$rGlenn D. Lowry --$tAbstraction in 1936 : Cubism and abstract art at the Museum of Modern Art /
505 00 $rLeah Dickerman.
650 0 $aArt, Abstract$vExhibitions.
650 0 $aArt, Modern$y20th century$vExhibitions.
700 1 $aDickerman, Leah,$d1964-
700 1 $aAffron, Matthew,$d1963-
710 2 $aMuseum of Modern Art (New York, N.Y.)
988 $a20130325
906 $0OCLC