MARC Record from harvard_bibliographic_metadata

LEADER: 05351cam a2200517Ii 4500
001 013656558-1
005 20140109121312.0
008 130617s2013 bccaf b 001 0deng d
016 $a20139035605
020 $a9780774820493 (bound)
020 $a0774820497 (bound)
035 0 $aocn828140170
035 0 $aocn858781815
040 $aUAB$beng$erda$cUAB$dOCLCO$dMT4IT$dTOZ
043 $an-cn-bc$an-us---
050 4 $aE78.N78$bN37 2013
055 0 $aE78 N78$bN37 2013
082 04 $a704.03/9707111$223
245 00 $aNative art of the Northwest Coast :$ba history of changing ideas /$cedited by Charlotte Townsend-Gault, Jennifer Kramer, and Ḳi-ḳe-in.
246 30 $aHistory of changing ideas
264 1 $aVancouver :$bUBC Press,$c[2013]
300 $axxxvi, 1081 pages, 16 unnumbered pages of plates :$billustrations (some color) ;$c26 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
504 $aIncludes bibliographical references (pages 995-1045) and index.
530 $aIssued also in electronic format.
505 00 $tThe idea of northwest coast native art /$rCharlotte Townsend-Gault, Jennifer Kramer, and Ki-ke-in --$tInterpreting cultural symbols of the People from the Shore /$rDaisy Sewid-Smith --$tHilth Hiitinkis : from the beach /$rKi-ke-in --$tHaida cosmic /$rMichael Nicoll Yahgulanaas --$tFrom explorers to ethnographers, 1770-1870 /$rIra Jacknis --$tThresholds of meaning : voice, time, and epistemology in the archaeological consideration of Northwest Coast art /$rAndrew Martindale --$tObjects and knowledge : early accounts from ethnographers and their written records and collecting practices, ca. 1880-1930 /$rAndrea Laforet --$t"That which was most important" : Louis Shotridge on Crest art and clan history /$rJudith Berman --$tAnthropology of art : shifting paradigms and practices, 1870-1950 /$rBruce Granville Miller --$tGoing by the book : missionary perspectives /$rJohn Barker --$tThe dark years /$rGloria Cranmer Webster --
505 00 $tSurrealists and the New York avant-garde, 1920-60 /$rMarie Mauzé --$tNorthwest Coast art and Canadian national identity, 1900-50 /$rLeslie Dawn --$tArt/craft in the early twentieth century /$rScott Watson --$tWelfare politics, late salvage, and indigenous (in)visibility, 1930-60 /$rRonald W. Hawker --$tForm first, function follows : the use of formal analysis in Northwest Coast art history /$rKathryn Bunn-Marcuse --$tDemocratization and Northwest Coast art in the modern period : Native emissaries, non-native connoisseurship, and consumption /$rJudith Ostrowitz --$tHistory and critique of the "renaissance" discourse /$rAaron Glass --$tStarting from the beginning /$rMarianne Nicolson --$tShifting theory, shifting publics : the anthropology of Northwest Coast art in the postwar era /$rAlice Marie Campbell --$tValue added : the Northwest Coast art market since 1965 /$rKaren Duffek --$t"Where mere words failed" : Northwest Coast art and law /$rDouglas S. White --
505 00 $tArt for whose sake? /$rKi-ke-in --$t"Fighting with property" : the double-edged character of ownership /$rJennifer Kramer --$tMuseums and Northwest Coast art /$rAldona Jonaitis --$tCollaborations : a historical perspective /$rMartha Black --$tPushing boundaries, defying categories : Aboriginal media production on the Northwest Coast /$rKristin L. Dowell --$tArt claims in the age of Delgamuukw /$rCharlotte Townsend-Gault --$tStop listening to our ancestors /$rPaul Chaat Smith --$tNWC on the up- load : surfing for Northwest Coast art /$rDana Claxton --$tThe material and the immaterial across borders /$rCharlotte Townsend-Gault.
520 $aThis remarkable volume, many years in the making, records and scrutinizes definitions of Northwest Coast Native art and its boundaries. A work of critical historiography, it makes accessible for the first time in one place a broad selection of more than 250 years of writing on Northwest Coast "art." Organized thematically, its excerpted texts are from both published and unpublished sources, some not previously available in English. They cover such complex topics as the clash between oral and written knowledge, transcultural entanglement, the influence of surrealist thinking, and the long history of the deployment of Northwest Coast Native art for nationalist purposes. The selections are preceded by thought-provoking introductions that give historical context to the diverse intellectual traditions that have influenced, stimulated, and opposed each other - publisher's website.
650 0 $aIndian art$zNorthwest Coast of North America$xHistory.
650 0 $aIndians of North America$zNorthwest Coast of North America$xHistory.
650 0 $aIndians of North America$zNorthwest Coast of North America$xSocial life and customs.
655 7 $aHistory.$2fast
700 1 $aTownsend-Gault, Charlotte,$eeditor of compilation.
700 1 $aKramer, Jennifer,$eeditor of compilation.
700 0 $aḲi-ḳe-in,$d1948-$eeditor of compilation.
776 1 $tNative art of the Northwest Coast.$w(CaOONL)20139035613
700 1 $aTownsend-Gault, Charlotte,$eeditor.
700 1 $aKramer, Jennifer,$eeditor.
700 0 $aḲi-ḳe-in,$d1948-,$eeditor.
899 $a415_565521
988 $a20130410
049 $aTOZZ
906 $0OCLC