MARC Record from harvard_bibliographic_metadata

LEADER: 02131cam a2200409 a 4500
001 013684921-0
005 20140123024532.0
008 121107s2013 ncuaf b 001 0 eng c
010 $a 2012044745
016 7 $a016261184$2Uk
020 $a9780822354154 (cloth : alk. paper)
020 $a0822354152 (cloth : alk. paper)
020 $a9780822354307 (pbk. : alk. paper)
020 $a0822354306 (pbk. : alk. paper)
035 0 $aocn804049422
040 $aNcD/DLC$beng$cPUL$dNDD$dDLC$dYDXCP$dBTCTA$dBDX$dOCLCO$dUKMGB$dCUI$dCDX$dIG#$dCOO$dSTF$dBWX
042 $apcc
043 $as-bl---
050 00 $aML3487.B7$bH478 2013
082 00 $a781.640981$223
100 1 $aHertzman, Marc A.
245 10 $aMaking samba :$ba new history of race and music in Brazil /$cMarc A. Hertzman.
260 $aDurham, NC :$bDuke University Press,$c2013.
300 $axvii, 364 p., [6] p. of plates :$bill. ;$c24 cm.
504 $aIncludes bibliographical references (p. [299]-335) and index.
505 0 $aBetween fascination and fear: musicians' worlds in nineteenth-century Rio de Janeiro -- Beyond the punishment paradigm: popular entertainment and social control after abolition -- Musicians outside the circle: race, wealth, and property in fred figner's music market -- "Our music": "Pelo telefone" and the Oito batutas, and the rise of samba -- Mediators and competitors: musicians, journalists, and the roda do samba -- Bodies and minds: mapping Africa and Brazil during the golden age -- Alliances and limits: the SBAT and the rise of the entertainment class -- Everywhere and nowhere: the UBC and the consolidation of racial and gendered difference -- After the golden age: reinvention and political change.
650 0 $aSambas$zBrazil$xHistory.
650 0 $aSambas$xSocial aspects$zBrazil$xHistory.
650 0 $aBlacks$zBrazil$xMusic$xHistory.
650 0 $aMusic and race$zBrazil$xHistory.
650 0 $aBlacks$xRace identity$zBrazil.
650 0 $aSambas$zBrazil$xHistory and criticism.
730 0 $aProject Muse UPCC books$5net
899 $a415_565899
988 $a20130514
049 $aHLSS
906 $0OCLC