MARC Record from harvard_bibliographic_metadata

LEADER: 03742cam a2200517 a 4500
001 013694129-X
005 20130528130050.0
008 121120s2013 caua bc 001 0deng c
010 $a 2012952486
015 $aGBB2C3654$2bnb
016 7 $a016226382$2Uk
020 $a9781606061329 (hbk.)
020 $a1606061321 (hbk.)
035 0 $aocn820782699
040 $aUKMGB$beng$cUKMGB$dOCLCO$dYDXCP$dJPG$dBDX$dORC$dCDX$dZCU$dTJC$dERASA$dOUN$dOSU$dCOO
042 $apcc
043 $aa-ja---
050 4 $aTR646.J3$bJ36 2013
082 04 $a770.922$223
084 $aNH32.H198$bJ35 2013$2nhcp
084 $aNH32.H198$bJ35 2013
245 00 $aJapan's modern divide :$bthe photographs of Hiroshi Hamaya and Kansuke Yamamoto /$cedited by Judith Keller and Amanda Maddox ; with contributions by Kōtarō Iizawa, Ryūichi Kaneko and Jonathan M. Reynolds ; [Dinah Berland, editor].
246 14 $aPhotographs of Hiroshi Hamaya and Kansuke Yamamoto
260 $aLos Angeles, California :$bJ. Paul Getty Museum,$c©2013.
300 $a224 p. :$bchiefly ill. (some col.) ;$c29 cm.
500 $aPublished on the occasion of an exhibition held at the J. Paul Getty Museum at the Getty Center, Los Angeles, Mar. 26-Aug. 25, 2013.
504 $aIncludes bibliographical references and index.
505 0 $aInnovation in the 1930s: the early works of Hiroshi Hamaya and Kansuke Yamamoto / Kōtarō Iizawa -- Hiroshi Hamaya's snow country: a return to "Japan" / Jonathan M. Reynolds -- The locus of sadness: protesting the new Japan / Judith Keller -- Plates 1-50 Hiroshi Hamaya -- Plates 51-102 Kansuke Yamamoto -- The position of Kansuke Yamamoto: reexamining Japan's modern photography / Ryūichi Kaneko -- Five poems by Kansuke Yamamoto / translated by John Solt -- Disobedient spirit: Kansuke Yamamoto and his engagement with surrealism / Amanda Maddox -- Selected chronology of Hiroshi Hamaya -- Selected chronology of Kansuke Yamamoto.
520 8 $aThis title offers an illustrated overview of the evolution of two very different strains of modern Japanese photography. In the 1930s, Japanese photography evolved in two very directions: one toward a documentary style, the other favouring an experimental, or avant-garde, approach strongly influence by Western Surrealism. This book explores these two divergent paths through the work of two remarkable figures: Hiroshi Hamaya and Kansuke Yamamoto. Hiroshi Hamaya (1915-1999) was born and raised in Tokyo and, after an initial period of creative experimentation, turned his attention to recording traditional life and culture. He went on to record cultural changes in China, political protests in Japan, and landscapes around the world. Kansuke Yamamoto (1914-1987) became fascinated by the innovative approaches in art and literature exemplified by Western artists such as Man Ray and Magritte. 0Exhibition: Getty Museum, Los Angeles, USA (26.3.-25.8.2013). 0.
600 10 $aHamaya, Hiroshi,$d1915-1999$vExhibitions.
600 10 $aYamamoto, Kansuke,$d1914-1987$vExhibitions.
650 0 $aPhotography$zJapan$xHistory$y20th century$vExhibitions.
650 0 $aPhotography, Artistic$xHistory$y20th century$vExhibitions.
651 0 $aJapan$xSocial life and customs$y20th century$vPictorial works$vExhibitions.
650 0 $aPhotography, Artistic$y20th century$vExhibitions.
700 1 $aHamaya, Hiroshi,$d1915-1999.
700 1 $aYamamoto, Kansuke,$d1914-1987.
700 1 $aKeller, Judith.
700 1 $aMaddox, Amanda.
700 1 $aIizawa, Kōtarō,$d1954-
700 1 $aKaneko, Ryūichi,$d1948-
700 1 $aReynolds, Jonathan M.$q(Jonathan McKean)
700 1 $aBerland, Dinah,$d1941-
710 2 $aJ. Paul Getty Museum.
988 $a20130528
906 $0OCLC