MARC Record from harvard_bibliographic_metadata

LEADER: 03551cam a2200469 a 4500
001 013700833-3
005 20130626155039.0
008 130107s2012 enka bc 000 0 eng c
020 $a1853323012
020 $a9781853323010
035 0 $aocn823577442
040 $aYDXCP$beng$cYDXCP$dYNK$dVVP$dU3G$dBWX$dOSU$dUND
042 $apcc
043 $af-sa---
050 4 $aNE788.3$b.K46 2012
050 4 $aNE788.6.S6$bK46 2012
082 04 $a709.2$223
100 1 $aKentridge, William,$d1955-
245 12 $aA universal archive :$bWilliam Kentridge as printmaker /$c[texts by] Rosalind Krauss, Roger Malbert, Kate McCrickard.
246 30 $aWilliam Kentridge as printmaker
260 $aLondon, UK :$bHayward ;$aNew York, NY :$bDistributed in America by D.A.P./Distributed Art Publishers,$c©2012.
300 $a144 p. :$bill. (some col.) ;$c25 cm.
500 $aPublished on the occasion of the touring exhibition held at the Bluecoat, Liverpool, Dec. 7, 2012-Feb. 3, 2013; Midland Arts Centre (MAC), Birmingham, Mar. 16-June 2, 2013; QUAD, Derby, June 15-Aug. 18, 2013 and other venues throughout the U.K.
504 $aIncludes bibliographical references (p. 141).
505 00 $tWilliam Kentridge : printmaker /$rRoger Malbert --$tThe other side of the press /$rRosalind Krauss --$tWilliam Kentridge and Kate McCrickard in conversation.
520 $aThis unique and beautifully presented book includes almost one hundred prints in all media, from 1991 to the present, with a stress on experimental, collaborative and serial works. William Kentridge's distinctive use of light and shadow and silhouettes, his concern with memory and perspective, and his absorption in literary texts, are all strongly in evidence throughout this book, which provides new insights into the working methods of this prolific artist. Kentridge is internationally acclaimed for his drawings, films and theatre and opera productions. He is also an innovative and prolific printmaker; he started his career studying etching at the Johannesburg Art Foundation, and printmaking has remained central to his work ever since. Over the past 25 years, he has produced more than three hundred prints - etchings, engravings, aquatints, silkscreens, linocuts and lithographs - often experimenting with challenging formats and combinations of printing techniques to create highly-worked, intensely atmospheric imagery. Kentridge is producing 40 new prints for the accompanying exhibition some of which will be illustrated in this book. His prints range in scale from intimate etchings and drypoints to linocuts on rice paper and canvas measuring 2.5 metres high. Also featured is Portage (2000), an accordion-folded multi-panelled book, 4 metres long, with torn paper silhouetted figures dancing across unbound pages of the French encyclopedia Le Nouveau Larousse Illustre. The procession is one of Kentridge's great themes, ultimately a symbol of humanity's journey through life.
600 10 $aKentridge, William,$d1955-$vExhibitions.
600 10 $aKentridge, William,$d1955-$vInterviews.
650 0 $aPrintmakers$zSouth Africa$vExhibitions.
650 0 $aPrints, South African$y21st century$vExhibitions.
655 7 $aExhibition catalogs.$2fast
655 7 $aInterviews.$2fast
700 1 $aKrauss, Rosalind E.
700 1 $aMalbert, Roger.
700 1 $aMcCrickard, Kate.
710 2 $aBluecoat Gallery.
710 2 $amac (Arts centre)
710 2 $aQUAD (Derby, England)
899 $a415_565477
988 $a20130604
049 $aHFLA
906 $0OCLC