MARC Record from harvard_bibliographic_metadata

LEADER: 01972cam a2200349Ii 4500
001 013737803-3
005 20130724144447.0
008 121203s2013 nyua c 000 0 eng d
010 $a 2012946408
020 $a9781597112130
020 $a1597112135
020 $a9781597112246 (limited edition)
020 $a1597112240 (limited edition)
035 0 $aocn821263260
040 $aERASA$cERASA$dBTCTA$dYDXCP$dMZA
050 4 $aTR647.P37$bA4 2013
082 04 $a770
100 1 $aParr, Martin,$d1952-
245 10 $aLife's a beach /$cMartin Parr
250 $aFirst trade edition
264 1 $aNew York, N.Y. :$bAperture,$c[2013]
300 $a123 pages :$bchiefly colored illustrations ;$c17 x 22 cm
500 $a"Published to accompany an exhibition of the same name: Aperture Gallery, New York, May 15-July 3, 2013; the University of New Mexico Art Museum, Albuquerque, Fall 2013."
520 8 $aIn the United Kingdom, one is never more than 75 miles away from the coast. With this much shoreline, it's not surprising that there should be a thriving British tradition of seaside photography. American photographers may have invented street photography, but according to photographer Martin Parr, "in the U.K., we have the beach!" Here, he asserts, people can relax, be themselves and indulge in mildly eccentric British behavior. Parr has been photographing this subject for many decades, in close-ups of sun bathers, rambunctious swimmers caught mid-plunge and the eternal sandy picnic. His career, in fact, could be traced back to the 1986 publication of 'The Last Resort', which depicted the seaside resort of New Brighton, near Liverpool.
600 10 $aParr, Martin,$d1952-$vExhibitions.
650 0 $aPhotography, Artistic$vExhibitions.
650 0 $aBeaches$vPictorial works$vExhibitions.
710 2 $aAperture Gallery (New York, N.Y.
710 2 $aUniversity of New Mexico.$bArt Museum.
899 $a415_565082
988 $a20130724
906 $0OCLC