MARC Record from harvard_bibliographic_metadata

LEADER: 02756cam a2200397Li 4500
001 013741846-9
005 20130730183627.0
008 130328s2013 enka bc 000 0 eng d
010 $a 2013930401
020 $a9780300196658
020 $a0300196652
035 0 $aocn841453508
040 $aNNMM$beng$erda$cMZA$dOCLCO$dYDXCP$dOCLCQ$dCAM$dBWX
050 4 $aN6537.H4$bA4 2013
245 00 $aEva Hesse 1965 /$cedited by Barry Rosen ; with a foreward by Susan Fisher Sterling ; contibutions by Todd Alden, Jo Applin, Kirsten Swenson.
250 $aFirst edition.
264 1 $aLondon :$bHauser & Wirth,$c[2013]
264 2 $aNew Haven ;$aLondon :$bYale University Press
300 $a239 pages :$billustrations (chiefly color) ;$c29 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
500 $aCatalog of an exhibition held January 30-March 9, 2013 at Hauser & Wirth London.
504 $aIncludes bibliographical references.
505 0 $aOff the wall / Susan Fisher Sterling -- Transformation event context : Eva Hesse 1965 / Todd Alden -- Paintings -- C-clamp blues : the relief works of Eva Hesse / Jo Applin -- Reliefs -- Impossible machines : drawing into sculpture / Kirsten Swenson -- Drawings.
520 $a"In 1964 the industrialist Friedrich Arnhard Scheidt invited Eva Hesse (1936-1970) and her husband, Tom Doyle, to a residency in Kettwig an der Ruhr, Germany. The following fifteen months marked a significant transformation in Hesse's practice. The artist's studio space was located in an abandoned textile factory that contained machine parts, tools, and materials that served as inspiration for her complex, linear mechanical drawings and paintings. In 1965 Hesse expanded on this theme and began using objects found in the factory and papier-mâché to produce a series of fourteen vibrantly colored reliefs that venture into three-dimensional space with such materials as wood, metal, and cord protruding from the picture plane. With dynamic new scholarship and previously unpublished illustrations, Eva Hesse 1965 highlights key drawings, paintings, and reliefs from this pivotal time and demonstrates how the artist was able to rethink her approach to color, materials, and dimensional space and begin moving toward sculpture, preparing herself for the momentous strides that she would take upon her return to New York."--Publisher's description.
600 10 $aHesse, Eva,$d1936-1970$vExhibitions.
700 1 $aRosen, Barry.
700 1 $aSterling, Susan Fisher.
700 1 $aAlden, Todd.
700 1 $aApplin, Jo.
700 1 $aSwenson, Kirsten.
710 2 $aHauser & Wirth London.
899 $a415_565082
988 $a20130730
906 $0OCLC