| Record ID | harvard_bibliographic_metadata/ab.bib.13.20150123.full.mrc:830786716:1756 |
| Source | harvard_bibliographic_metadata |
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LEADER: 01756cam a2200361 a 4500
001 013752216-9
005 20131017095025.0
008 121017s2012 enka bc 000 0deng
010 $a 2012545531
020 $a9781906072612 (cloth)
020 $a1906072612 (cloth)
024 8 $a40022702631
035 0 $aocn813190082
040 $aAU@$beng$cAU@$dOCLCO$dVVP$dYDXCP$dYNK$dDLC$dCAM$dOSU$dCDX$dYUS
042 $apcc
050 4 $aN7349.Z474$bA4 2012
082 04 $a709.2$223
100 1 $aZhang, Huan,$d1965-
245 10 $aZhang Huan :$bthe mountain is still a mountain /$c[edited and coordinated by Honey Luard ; text by Richard Vine].
246 30 $aMountain is still a mountain
260 $aLondon :$bWhite Cube,$c[2012]
300 $a63, [1] p. :$bill., ;$c25 cm.
500 $aCatalog of an exhibition of the same name held at White Cube, London, July 20-Aug. 26, 2012.
504 $aIncludes bibliographical references (p. 63).
520 8 $aKnown primarily for his rigorous and demanding performances of the 1990s, Zhang's more recent work has consisted of sculptures and paintings made using incense ash gathered from the rituals and ceremonies performed daily at Buddhist temples in the artist's native city of Shanghai. Entitled 'The Mountain is Still a Mountain', a reference to the teachings of a Chan Buddhist master from the Tang Dynasty period, this exhibition presented a series of large-scale figurative ash paintings that touch on diverse cultural, political and spiritual themes.
600 10 $aZhang, Huan,$d1965-$vExhibitions.
655 7 $aExhibition catalogs.$2fast
700 1 $aLuard, Honey.
700 1 $aVine, Richard.
710 2 $aWhite Cube (Gallery)
899 $a415_565082
988 $a20130807
906 $0OCLC