| Record ID | harvard_bibliographic_metadata/ab.bib.13.20150123.full.mrc:84691121:2450 |
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LEADER: 02450cam a2200361 a 4500
001 013075959-7
005 20120316153504.0
008 110815s2012 nyua b 001 0 eng
010 $a 2011033715
020 $a9780415883511 (alk. paper)
020 $a0415883512 (alk. paper)
020 $a9780203128220 (ebk.)
020 $a0203128222 (ebk.)
035 $a(PromptCat)99946627703
035 0 $aocn641536304
040 $aDLC$cDLC$dYDX$dBTCTA$dYDXCP$dBWX$dCDX$dERASA$dSTF
042 $apcc
050 00 $aPN1995$b.B2953 2012
082 00 $a791.4301$223
100 1 $aBateman, John A.
245 10 $aMultimodal film analysis :$bhow films mean /$cJohn A. Bateman and Karl-Heinrich Schmidt.
260 $aNew York :$bRoutledge,$c2012.
300 $aviii, 330 p. :$bill. ;$c24 cm.
490 1 $aRoutledge studies in multimodality ;$v5
504 $aIncludes bibliographical references and index.
505 0 $aAnalysing film. Distinguishing the filmic contribution to meaning -- Examples of filmic "textual organisation" -- Redrawing boundaries -- Organisation of the book -- Semiotics and documents. Semiotics and its relations to film -- The nature of discourse semantics -- The film as cinematographic document -- A combined view: filmic documents for filmic discourse -- Constructing the semiotic mode of film. Semiotic multimodality -- The internal organisation of semiotic strata -- Composing and combining semiotic modes -- Materiality and "epistemological commitment" -- Christian Metz and the grande syntagmatique of the image track. The original model -- Two examples of analysis with the grande syntagmatique -- Revisions and rebuttals -- Foundations for analysis: filmic units. The basic units of film: preliminaries -- Audiovisual iconic representations -- Perception, perceptual realism and reliable measurement -- Multiplicity: from perception to discourse -- Filmic units revisited: discourse-motivated definitions -- The paradigmatic organisation of film. Beyond Metz: towards a grande paradigmatique -- Capturing discourse dependency structures in film -- The paradigmatic dimensions of projection, taxis and plane -- Two examples of paradigmatic analysis -- Summary and conclusions.
650 0 $aMotion pictures$xPhilosophy.
650 0 $aMotion pictures$xSemiotics.
700 1 $aSchmidt, Karl-Heinrich.
830 0 $aRoutledge studies in multimodality ;$v5.
899 $a415_565471
988 $a20120124
906 $0DLC