| Record ID | harvard_bibliographic_metadata/ab.bib.13.20150123.full.mrc:853774384:1853 |
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LEADER: 01853cam a2200457 i 4500
001 013769217-X
005 20131120142215.0
008 081224t20132013paua b 000 0 eng c
020 $a9781934772805 (pbk.)
020 $a1934772801 (pbk.)
035 0 $aocn294885043
040 $aBTCTA$cBTCTA$beng$dYDXCP$dCDX$dBRZ$dBWX$dVMC$erda$dJHE$dTFW$dCHVBK$dIUL
042 $apcc
043 $an-us---
050 4 $aN6512.5.P67$bH46 2013
050 4 $aND212.5.P67$bH46 2013
082 04 $a709.04
100 1 $aHemingway, Andrew,$eauthor.
245 14 $aThe mysticism of money :$bprecisionist painting and machine age America /$cAndrew Hemingway.
246 30 $aPrecisionist painting and machine age America
250 $aFirst edition.
264 1 $aPittsburgh :$bPeriscope Publishing,$c[2013]
264 4 $c©2013
300 $a251 pages :$billustrations (some color) ;$c30 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
504 $aIncludes bibliographical references (pages 239-243) and index.
505 0 $aIntroduction: precisionism and capitalism -- "Who ain't a slave?: Modernism and cultural critique in the 1920s -- Hirsch's distance -- Louis Lozowick between Modernism and Marxism -- George Ault and the end of precisionism -- Conclusion: "Machine song".
650 0 $aPrecisionism$zUnited States.
650 0 $aPainting, American$y20th century.
650 7 $aPräzisionismus.$2gnd
650 7 $aIndustriegesellschaft.$2gnd
650 7 $aGroßstadt.$2gnd
651 7 $aUSA.$2gnd
600 10 $aHirsch, Stefan,$d1899-1964$xCriticism and interpretation.
600 10 $aLozowick, Louis,$d1892-1973$xCriticism and interpretation.
600 10 $aAult, George,$d1891-1948$xCriticism and interpretation.
899 $a415_565082
988 $a20130902
906 $0OCLC