| Record ID | harvard_bibliographic_metadata/ab.bib.13.20150123.full.mrc:870986259:1178 |
| Source | harvard_bibliographic_metadata |
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LEADER: 01178cam a2200277I 4500
001 013781310-4
005 20131007182253.0
008 130813s2013 iaua be 000 0 eng d
020 $a0962380660
020 $a9780962380662
035 0 $aocn855740909
040 $aYDXCP$cYDXCP$dUAB
050 4 $aPN1995.9.F54$bS67 2013
100 1 $aSelby, Spencer.
245 14 $aThe worldwide film noir tradition /$cSpencer Selby.
260 $aAmes, IA :$bSink Press,$cc2013.
300 $a318 p. :$bill. ;$c24 cm.
504 $aIncludes bibliographical references (p. [317]-318).
520 $aWhat started as a handful of American crime movies celebrated by French critics after WW II has grown to become the most resonant and enigmatic of all film categories. Since film noir is not a clear-cut, predefined genre like the western or musical, the term has always been open to confusion and dispute. For decades the cultural influence of noir has been expanding.
650 0 $aFilm noir.
650 0 $aFilm noir$xHistory and criticism.
650 0 $aFilm noir$vEncyclopedias.
650 0 $aMotion pictures$xPlots, themes, etc.
899 $a415_565343
988 $a20130918
906 $0OCLC