It looks like you're offline.
Open Library logo
additional options menu

MARC Record from harvard_bibliographic_metadata

Record ID harvard_bibliographic_metadata/ab.bib.13.20150123.full.mrc:875771811:2712
Source harvard_bibliographic_metadata
Download Link /show-records/harvard_bibliographic_metadata/ab.bib.13.20150123.full.mrc:875771811:2712?format=raw

LEADER: 02712cam a2200505 i 4500
001 013784482-4
005 20141031125225.0
008 140224s2013 gw a 000 0 fre d
016 7 $a1033237302$2GyFmDB
020 $a9783775736862
020 $a3775736867
035 0 $aocn853443218
035 2 $aocn893465808
040 $aOHX$beng$erda$cCUD
041 1 $afre$aeng$ager
050 4 $aN6853.M44$b.A4 2013
050 4 $aTR681.W6$bM47 2013
072 7 $aTR$2lcco
100 1 $aMessager, Annette,$d1943-$ephotographer.
245 00 $aAnnette Messager :$bles tortures volontaires /$c[concept, Cristina Steingräber, Clemens von Lucius ; traductions, Jeremy Harrison, Klaus Roth].
246 1 $aTortures volontaires
260 $aOstfildern :$bHatje Cantz,$c2013.
300 $a92 unnumbered pages :$bchiefly illustrations ;$c33 cm
336 $astill image$bsti$2rdacontent
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
500 $aFolded leaves bound together by a piece of string, issued in slip case.
520 $aBeauty knows no pain? is a phrase that, upon closer scrutiny, is shocking and disturbing. The French artist Annette Messager began pursuing this idea in the seventies when she assembled photographs from magazines for her groundbreaking series Les Tortures Volontiers (Voluntary Torture). In Messager's photographs, which are as alarming as they are absurd, breasts are lifted into suction cups, thighs are massaged with electricity, exfoliations look as if a second layer of skin is being peeled off. Yet the laughter sticks in the viewer's throat, because women all around the world still actually submit themselves to these and other procedures in order to look more like the norm and more 'beautiful'. Messager recently rediscovered these prints in her studio. This is the first time the eighty-one-part series has been published in its entirety and in its original size. In the accompanying essay, the artist, whose work has been exhibited multiple times at the documenta, discusses the genesis of the series.
546 $aFrench, English, German.
600 10 $aMessager, Annette,$d1943-
650 0 $aBeauty, Personal$vPictorial works.
650 0 $aBeauty, Personal, in art.
650 0 $aPhotography of women.
600 17 $aMessager, Annette,$d1943-$2fast
650 7 $aBeauty, Personal.$2fast
650 7 $aBeauty, Personal, in art.$2fast
650 7 $aPhotography of women.$2fast
600 17 $aMessager, Annette,$d1943-$2gnd
650 7 $aKunst.$2gnd
650 7 $aSchönheit.$2gnd
650 7 $aSchönheitsideal.$2gnd
899 $a415_565269
988 $a20130923
906 $0OCLC