Record ID | harvard_bibliographic_metadata/ab.bib.13.20150123.full.mrc:890737812:3953 |
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LEADER: 03953cam a2200493 a 4500
001 013795859-5
005 20140204224916.0
008 111116s2013 nyua b 001 0 eng
010 $a 2011047851
020 $a9781107013230 (hardback)
020 $a1107013232 (hardback)
035 $a(PromptCat)99956493942
035 0 $aocn768417894
040 $aDLC$beng$cDLC$dERASA$dBTCTA$dOCLCO$dYDXCP$dWLU$dCDX$dOCLCF$dVVC$dCHVBK
042 $apcc
043 $ae------
050 00 $aN7862$b.S467 2013
082 00 $a704.9/482088282$223
084 $aHIS037020$2bisacsh
245 04 $aThe sensuous in the Counter-Reformation church /$cedited by Marcia B. Hall, Tracy E. Cooper.
260 $aNew York :$bCambridge University Press,$c2013 .
300 $axv, 339 p. :$bill. ;$c26 cm.
520 $a"This book examines the promotion of the sensuous as part of religious experience in the Roman Catholic Church of the early modern period"--$cProvided by publisher.
520 $a"This book examines the promotion of the sensuous as part of religious experience in the Roman Catholic Church of the early modern period. During the Counter-Reformation, every aspect of religious and devotional practice was reviewed, including the role of art and architecture, and the invocation of the five senses to incite devotion became a hotly contested topic. The Protestants condemned the material cult of veneration of relics and images, rejecting the importance of emotion and the senses and instead promoting the power of reason in receiving the Word of God. After much debate, the Church concluded that the senses are necessary to appreciate the sublime, and that they derive from the Holy Spirit. As part of its attempt to win back the faithful, the Church embraced the sensuous and promoted the use of images, relics, liturgy, processions, music, and theater as important parts of religious experience"--$cProvided by publisher.
504 $aIncludes bibliographical references (p. 296-330) and index.
505 0 $aThe sensuous: recent research / Tracy E. Cooper -- Trent, sacred images, and Catholics' senses of the sensuous / John W. O'Malley -- The world made flesh: spiritual subjects and carnal depictions in Renaissance art / Bette Talvacchia -- How words control images: the rhetoric of decorum in Counter-Reformation Italy / Robert Gaston -- La custodia degli occhi: disciplining desire in post-Tridentine Italian art / Maria Loh -- Raffaelle Borghini and the corpus of Florentine art in an age of reform / Stuart Lingo -- Censure and censorship in Rome c. 1600: the visitation of Clement VIII and the visual arts / Opher Mansour -- Painting virtuously: the Counter-Reform and the reform of artists' education in Rome between guild and academy / Peter Lukehart -- Carlo Borromeo and the dangers of lay women in church / Richard Scofield -- ''To be in heaven': Saint Philip Neri between aesthetic emotion and mystical ecstasy / Costanza Barbieri -- Rebuilding faith through art: Christoph Schwarz's Mary altarpiece for the Jesuit college in Munich / Jeffrey Chipps Smith -- 'Until shadows disperse': Augustine's twilight / Meredith Gill -- A machine for souls: allegory before and after Trent / Amy Powell.
650 0 $aCounter-Reformation in art.
650 0 $aSenses and sensation$xReligious aspects$xChristianity.
650 0 $aCounter-Reformation.
650 7 $aHISTORY / Renaissance.$2bisacsh
650 7 $aArt.$2fast$0(OCoLC)fst00815177
650 7 $aCounter-Reformation.$2fast$0(OCoLC)fst00881307
650 7 $aSenses and sensation$xReligious aspects$xChristianity.$2fast$0(OCoLC)fst01112575
650 7 $aGegenreformation.$2gnd
650 7 $aChristliche Kunst.$2gnd
650 7 $aWahrnehmung.$2gnd
650 7 $aSinnlichkeit.$2gnd
650 7 $aÄsthetik.$2gnd
700 1 $aHall, Marcia B.
700 1 $aCooper, Tracy Elizabeth.
899 $a415_565655
899 $a415_565082
988 $a20131008
906 $0DLC