Record ID | harvard_bibliographic_metadata/ab.bib.13.20150123.full.mrc:91221588:1569 |
Source | harvard_bibliographic_metadata |
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LEADER: 01569cam a2200361 a 4500
001 013081009-6
005 20120316123342.0
008 110411s2012 nyua b 001 0 eng
010 $a 2011015293
016 7 $a015448076$2Uk
020 $a9780415873611 (alk. paper)
020 $a0415873614 (alk. paper)
035 $a(PromptCat)99946724923
035 0 $aocn712644661
040 $aDLC$beng$cDLC$dYDX$dYDXCP$dBWX$dCDX$dUKMGB
042 $apcc
050 00 $aP99.4.M6$b.G53 2012
082 00 $a401/.4$222
100 1 $aGibbons, Alison.
245 10 $aMultimodality, cognition, and experimental literature /$cAlison Gibbons.
260 $aNew York :$bRoutledge,$c2012.
300 $axiv, 260 p. :$bill. ;$c24 cm.
490 1 $aRoutledge studies in multimodality ;$v3
504 $aIncludes bibliographical references (p. [233]-251) and index.
505 0 $aMultimodality -- Towards a Multimodal Cognitive Poetics -- Creating Thresholds and the Exploring Reader of House of Leaves by Mark Z. Danielewski -- Embodiment and the Book that Bleeds: VAS: An Opera in Flatland by Steve Tomasula with Stephen Farrell -- Cowitnessing trauma in reading Extremely Loud & Incredibly Close by Jonathan Safran Foer -- Cut, Paste, Repair, but Read: Woman's World by Graham Rawle.
650 0 $aModality (Linguistics)
650 0 $aDiscourse analysis, Literary.
650 0 $aCognitive grammar.
650 0 $aLiterature, Experimental$xHistory and criticism.
830 0 $aRoutledge studies in multimodality ;$v3.
899 $a415_565426
988 $a20120130
906 $0DLC