| Record ID | harvard_bibliographic_metadata/ab.bib.13.20150123.full.mrc:918676385:1742 |
| Source | harvard_bibliographic_metadata |
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LEADER: 01742cam a22004338i 4500
001 013816718-4
005 20140110171032.0
008 130522s2014 enk b 000 0 eng
010 $a 2013018316
016 7 $a016467415$2Uk
020 $a9780415669221 (hardback)
020 $a0415669227 (hardback)
020 $a9780415669238 (pbk.)
020 $a0415669235 (pbk.)
020 $z9781315880143 (ebook)
035 0 $aocn843532287
040 $aDLC$beng$erda$cDLC$dYDXCP$dOCLCO$dBTCTA$dUKMGB$dCDX$dLTSCA$dOCLCF
042 $apcc
050 00 $aPN1995$b.H5865 2014
082 00 $a791.4301/9$223
100 1 $aHockley, Luke,$eauthor.
245 10 $aSomatic cinema :$bthe relationship between body and screen : a Jungian perspective /$cLuke Hockley.
264 1 $aAbingdon, Oxon ;$aNew York, NY :$bRoutledge,$c2014.
300 $aix, 172 pages ;$c24 cm
336 $atext$2rdacontent
337 $aunmediated$2rdamedia
338 $avolume$2rdacarrier
504 $aIncludes bibliographical references (pages 159-164) and index.
505 0 $aIntroduction -- The consciously constructed film -- Being in the cinema -- Reflections of the body -- Being mindful of the image -- Seeing the image -- Being touched by the image -- Feeling the image -- Conclusion.
650 0 $aMotion pictures$xPsychological aspects.
650 0 $aMotion picture audiences$xPsychological aspects.
650 0 $aPsychoanalysis and motion pictures.
650 0 $aJungian psychology.
650 7 $aJungian psychology.$2fast
650 7 $aMotion picture audiences$xPsychological aspects.$2fast
650 7 $aMotion pictures$xPsychological aspects.$2fast
650 7 $aPsychoanalysis and motion pictures.$2fast
988 $a20131030
906 $0DLC