| Record ID | harvard_bibliographic_metadata/ab.bib.13.20150123.full.mrc:92542774:1470 |
| Source | harvard_bibliographic_metadata |
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LEADER: 01470cam a2200349 a 4500
001 013082062-8
005 20120131224622.0
008 110707s2012 nyu b 001 0 eng
010 $a 2011026131
020 $a9780415897037 (hbk : acid-free paper)
020 $a0415897033 (hbk : acid-free paper)
020 $a9780203145197 (ebk)
020 $a0203145194 (ebk)
035 0 $aocn707966538
035 $a(PromptCat)40020341010
040 $aDLC$beng$cDLC$dYDX$dBTCTA$dYDXCP$dERASA$dBWX
042 $apcc
050 00 $aPR2986$b.O76 2012
082 00 $a822.3/3$223
100 1 $aO'Rourke, James L.
245 10 $aRetheorizing Shakespeare through presentist readings /$cJames O'Rourke.
260 $aNew York :$bRoutledge,$c2012.
300 $a189 p. ;$c24 cm.
490 1 $aRoutledge studies in Shakespeare ;$v7
504 $aIncludes bibliographical references and index.
505 0 $aSpectres of intention: Epic theatre and the lessons of theory -- Boys will be boys: Subtexts and afterthoughts in the comedies -- Racism and homophobia in The Merchant of Venice -- Love and object-cathexis in Troilus and Cressida: Just one of those things -- The exotic/erotic and the group: Othello -- King Lear and the art of dying.
600 10 $aShakespeare, William,$d1564-1616$xCriticism and interpretation.
650 0 $aPresentism (Literary analysis)
830 0 $aRoutledge studies in Shakespeare ;$v7.
899 $a415_565644
988 $a20120131
906 $0DLC