MARC Record from harvard_bibliographic_metadata

LEADER: 03366cam a2200481Ii 4500
001 014007142-3
005 20140610160553.0
008 131115t20142014lauac bc 000 0 eng d
010 $a 2013949519
016 7 $a016654372$2Uk
020 $a9780615878300
020 $a061587830X
035 0 $aocn863077869
040 $aYDXCP$beng$erda$cYDXCP$dBTCTA$dBDX$dUKMGB$dUOK$dCLE$dOLC$dZCU$dJPG$dUAB
050 4 $aN6538.N5$bV56x 2014
082 04 $a704.039607307476318$223
245 04 $aThe visual blues /$cedited by Natalie A. Mault ; essays by R.A. Lawson, John Lowe, Natalie A. Mault, Margaret Rose Vendryes ; with artist biographies by Lauren Barnett and Natalie A. Mault.
264 1 $aBaton Rouge :$bLSU Museum of Art,$c[2014]
264 4 $c©2014
300 $a87 pages :$billustrations (some color), portraits ;$c28 cm
336 $atext$btxt$2rdacontent
336 $astill image$bsti$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
500 $a"Published in conjunction with the exhibition 'The Visual Blues', presented at the LSU Museum of Art, Baton Rouge, from March 8 to July 13, 2014, and at the Telfair Museums, Savannah, from January 30 to May 3, 2015"--Colophon.
504 $aIncludes bibliographical references (pages 84-86).
505 0 $aShake that thang : dancing figures and figures that dance in African American art / Margaret Rose Vendryes -- Blues, jazz, and the literature of the Harlem Renaissance / John Lowe -- Hearing the blues in the art of the Harlem Renaissance / R.A. Lawson -- "Money, you've got lots of friends" : patronage in the Harlem Renaissance / Natalie A. Mault.
520 $aThe visual blues explores the enormous impact that blues and jazz music emanating from the Deep South and moving north had on artists associated with the Harlem Renaissance. The Visual Blues shows how the artists and musicians of the Harlem Renaissance blurred artistic boundaries, drawing inspiration from each other and contributing to each other's art forms. The art scene in Harlem from 1919 to approximately 1940 encouraged a melding of art, music, literature, and poetry, providing a creative haven and outlet for transcending hardships and shattering racial stereotypes. The visual blues features a wide range of artists, some of whom already have established reputations and art markets, and others who are under-recognized and are rarely seen publicly. The visual blues comprises sixty-four paintings, drawings, prints, photographs, and sculptures by some of the most recognized and celebrated African-American artists of the Harlem Renaissance.
650 0 $aHarlem Renaissance$vExhibitions.
650 0 $aAfrican American art$y20th century$vExhibitions.
650 0 $aMusic$xAfrican American influences$vExhibitions.
650 0 $aBlues (Music) in art$vExhibitions.
655 7 $aExhibition catalogs.$2fast
700 1 $aMault, Natalie A.,$eeditor,$eauthor.
700 1 $aLawson, R. A.,$d1974-$eauthor.
700 1 $aLowe, John,$d1945-$eauthor.
700 1 $aVendryes, Margaret Rose,$d1955-$eauthor.
700 1 $aBarnett, Lauren,$eauthor.
710 2 $aLouisiana State University (Baton Rouge, La.).$bMuseum of Art,$ehost institution.
710 2 $aTelfair Museums (Savannah, Ga.),$ehost institution.
899 $a415_565634
988 $a20140415
906 $0OCLC