MARC Record from harvard_bibliographic_metadata

LEADER: 03637cam a2200565 i 4500
001 014084610-7
005 20140808190055.0
008 131201t20142014gw a bc 000 0 eng d
010 $a 2013950018
016 7 $a016565278$2Uk
020 $a9783791353654
020 $a3791353659
035 2 $zybp10495185
035 0 $aocn864503244
035 2 $aocn883750969
040 $aBTCTA$beng$erda$cN15
043 $an-us---
050 4 $aN6537.R83$bA4x 2014
082 04 $a709.2$223
245 00 $aNancy Rubins :$bdrawing, sculpture, studies /$cedited by G.C. Zeigerman.
246 30 $aDrawing, sculpture, studies
264 1 $aMunich :$bDelMonico Books, Prestel,$c[2014]
264 4 $c©2014
300 $a168 pages :$billustrations (chiefly color) ;$c31 cm
336 $atext$2rdacontent
337 $aunmediated$2rdamedia
338 $avolume$2rdacarrier
500 $a"This book is published on the occasion of the exhibition 'Nancy Rubins: Drawing, Sculpture, Studies', Weatherspoon Art Museum, The University of North Carolina at Greensboro, February 8-May 4, 2014"--title page verso.
505 00 $tNancy Rubins: a space of her own /$rNancy Doll --$tWeathering extremes: Nancy Rubins's drawings /$rNancy Princenthal --$tInterview, Nancy Rubins and Xandra Eden --$tExhibition checklist --$tOther illustrated works & photo credits --$tArtist biography & bibliography --$tAuthor biographies.
504 $aIncludes bibliographical references.
520 $aFeaturing visually stunning works from one of today's most innovative sculptors, this comprehensive volume is the first critical survey of Nancy Rubins's entire career. Considered one of the most important sculptors working today, Nancy Rubins has been the subject of few scholarly or critical writings. This book fills that void as it considers the relationship between the artist's works on paper and her sculpture. Called the California genius of junk by critic Peter Schjeldahl, Rubins has a unique talent for transforming industrial materials into weightless, delicate objects. She incorporates pre-fabricated boat and plane parts, mattresses, discarded appliances and other recycled items into visually stunning, gravity-defying installations that encourage viewers to reconsider the pieces' original elements and how they should behave. Dazzling color illustrations explore these muscular yet graceful pieces while thoughtful essays consider previously unexamined aspects of Rubins' work, such as its relationship to that of other artists, its physiological and psychological impact on the viewer, and its feminist underpinnings.
600 10 $aRubins, Nancy,$d1952-$vExhibitions.
650 0 $aSculpture$zUnited States$y20th century$vExhibitions.
650 0 $aSculpture$zUnited States$y21st century$vExhibitions.
655 7 $aExhibition catalogs.$2fast
600 10 $aRubins, Nancy,$d1952-$vInterviews.
650 0 $aSculpture, American$y20th century$vExhibitions.
650 0 $aSculpture, American$y21st century$vExhibitions.
650 0 $aJunk sculpture$zUnited States$y20th century$vExhibitions.
650 0 $aJunk sculpture$zUnited States$y21st century$vExhibitions.
650 0 $aDrawing, American$y20th century$vExhibitions.
650 0 $aDrawing, American$y21st century$vExhibitions.
710 2 $aWeatherspoon Art Museum,$ehost institution.
700 1 $aZeigerman, Gerald,$eeditor.
700 1 $aPrincenthal, Nancy,$econtributor.
700 12 $aRubins, Nancy,$d1952-$tWorks.$kSelections.
700 1 $aDoll, Nancy,$d1947-$econtributor.
700 1 $aEden, Xandra,$d1968-$econtributor.
988 $a20140606
906 $0OCLC