MARC Record from harvard_bibliographic_metadata

LEADER: 02163cam a2200421Mi 4500
001 014007761-8
005 20140507165816.0
008 140429s2014 enk 000 0 eng d
020 $a9780719088803 (hardback)
020 $a0719088801 (hardback)
020 $a9780719091919 (paperback)
020 $a0719091918 (paperback)
020 $a9780719088612
020 $a0719088615
035 0 $aocn870199269
040 $aYDXCP$erda$beng$cYDXCP$dBDX$dBTCTA$dERASA$dOCLCO
043 $an-us---
050 4 $aPN1995.9.E96$bO88 2014
082 04 $a791.43/6110973$223
100 1 $aOsterweil, Ara,$eauthor.
245 10 $aFlesh cinema :$bthe corporeal turn in American avant-garde film /$cAra Osterweil.
264 1 $aManchester :$bManchester University Press,$c2014.
264 2 $aNew York :$bPalgrave Macmillan
300 $axiv, 286 pages ;$c24 cm.
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
490 1 $aRethinking art's histories
504 $aIncludes bibliographical references (pages 262-277) and index.
505 0 $aSaint Barbara: the apocryphal, ecstatic cinema of Barbara Rubin -- Andy Warhol, porn realist -- Stan Brakhage: acts of seeing -- Carolee Schneemann: meat joys -- Yoko Ono's body count -- Paul Sharits, beyond the pleasure principle.
520 $aExplores the groundbreaking representation of the body in experimental films of the 1960s and 1970s. Focusing on sexually explicit films by Andy Warhol, Barbara Rubin, Stan Brakhage, Carolee Schneemann, Yoko Ono and Paul Sharits, this book demonstrates how experimental cinema not only transformed American visual culture, but also the lives of those who created it. By situating these films in relation to the civil rights and sexual liberation movements, Flesh Cinema investigates how social politics continue to inform their meaning.--Provided by publisher
650 0 $aExperimental films$zUnited States$xHistory and criticism.
655 7 $aCriticism, interpretation, etc.$2fast
830 0 $aRethinking art's histories.
899 $a415_565471
988 $a20140416
049 $aHLSS
906 $0OCLC