MARC Record from harvard_bibliographic_metadata

LEADER: 03606cam a2200577Ii 4500
001 014111262-X
005 20140905184556.0
008 131028s2014 enkad bc 001 0deng d
015 $aGBB3B1405$2bnb
015 $aGBB3B1405$2dnb
016 7 $a016559809$2Uk
020 $a9781849762595 (pbk.)
020 $a1849762597 (pbk.)
035 0 $aocn864790198
040 $aUKMGB$beng$erda$cUKMGB$dOCLCO$dYDXCP$dYNK$dVVPCS$dUKWOH$dDEBBG$dCDX$dUKTTE$dERASA$dCAM$dJPG$dNUI$dZCU$dJPG
050 4 $aN6797.H3$bA4x 2014
082 04 $a709.2$223
245 00 $aRichard Hamilton /$cedited by Mark Godfrey, Paul Schimmel, Vicente Todolí ; essays by Benjamin H.D. Buchloh, Hal Foster, Mark Godfrey, Richard Hamilton, Alice Rawsthorn, Paul Schimmel, Fanny Singer, Victoria Walsh.
264 1 $aLondon :$bTate Publishing,$c2014.
300 $a350 pages :$billustrations (some color) ;$c28 cm
336 $atext$2rdacontent
336 $astill image$2rdacontent
337 $aunmediated$2rdamedia
338 $avolume$2rdacarrier
500 $a"This publication was originated by Museo Nacional Centro de Arte Reina Sofia and TF Editores, Madrid"--Title page verso.
500 $aPublished on the occasion of the exhibition held at Tate Modern, London, February 13-May 26, 2014, and at the Museo Nacional Centro de Arte Reina Sofía, Madrid, June 24-October 13, 2014.
504 $aIncludes bibliographical references (pages 334-346) and index.
505 00 $tIntroduction /$rPaul Schimmel --$tSeahorses, grids and calypso : Richard Hamilton's exhibition-making in the 1950s /$rVictoria Walsh --$tAmong Americans : Richard Hamilton /$rBenjamin H.D. Buchloh --$tRichard Hamilton and design /$rAlice Rawsthorn --$tThe Hamilton test /$rHal Foster --$tTalk at the Palais des Beaux-Arts, Brussels, 1971 /$rRichard Hamilton --$tTelevision delivers people /$rMark Godfrey --$tRichard Hamilton's "late" work /$rFanny Singer.
520 8 $aOne of the most influential British artists of the 20th century, Richard Hamilton (1922-2011) is widely regarded as a founding figure of pop art, who continued to experiment and innovate over a career of 60 years. This publication presents the first retrospective to encompass the full scope of Hamilton's work, from his early exhibition designs of the 1950s to his final paintings of 2011, exploring his relationship to design, painting, photography and television, as well as his engagement and collaborations with other artists.
600 10 $aHamilton, Richard,$d1922-2011$vExhibitions.
600 10 $aHamilton, Richard,$d1922-2011$xCriticism and interpretation.
600 14 $aHamilton, Richard / 1922-2011 / Criticism and interpretation.
600 17 $aHamilton, Richard,$d1922-2011.$2gnd
655 7 $aCriticism, interpretation, etc.$2fast
655 7 $aExhibition catalogs.$2fast
700 1 $aTodoli, Vicent,$eeditor.
700 1 $aSchimmel, Paul,$eeditor,$econtributor.
700 1 $aGodfrey, Mark$q(Mark Benjamin),$eeditor,$econtributor.
700 1 $aHamilton, Richard,$d1922-2011,$econtributor.
700 12 $aHamilton, Richard,$d1922-2011.$tWorks.$kSelections.
700 1 $aBuchloh, B. H. D.,$econtributor.
700 1 $aFoster, Hal,$econtributor.
700 1 $aGodfrey, Mark$q(Mark Benjamin),$econtributor.
700 1 $aRawsthorn, Alice,$econtributor.
700 1 $aSinger, Fanny,$econtributor.
700 1 $aWalsh, Victoria,$econtributor.
710 2 $aTate Modern (Gallery),$ehost institution.
710 2 $aMuseo Nacional Centro de Arte Reina Sofía,$ehost institution.
899 $a415_565082
988 $a20140709
906 $0OCLC