MARC Record from harvard_bibliographic_metadata

LEADER: 03952cam a2200565 i 4500
001 014111454-1
005 20140709111759.0
008 130501t20132013njua bc 000 0deng c
010 $a 2013946441
016 7 $a016453241$2Uk
020 $a9780943012506 (Princeton University Art Museum)
020 $a0943012503 (Princeton University Art Museum)
020 $a0300174373 (Yale University Press)
020 $a9780300174373 (Yale University Press)
035 0 $aocn841495463
040 $aYDX$beng$erda$cYDX$dERASA$dUKMGB$dIUP$dJPG$dIXA$dZCU$dMUU$dOCLCF$dOCLCQ$dWAU$dSTF$dCNCCA$dCUD$dOCLCO$dUBY
042 $apcc
043 $an-us-nj
050 14 $aNX510.N5$bB38 2013
050 14 $aNX510.N4$bB38 2013
082 04 $a709.7309045$223
100 1 $aBaum, Kelly,$eauthor.
245 10 $aNew Jersey as non-site /$cKelly Baum ; with contributions by Beatriz Colomina [and five others].
264 1 $aPrinceton, New Jersey :$bProduced by the Publishing and Communications Department of the Princeton University Art Museum,$c[2013]
264 2 $aNew Haven, Connecticut :$bDistributed by Yale University Press,$c[2013]
264 4 $c©2013
300 $a159 pages :$billustrations (some color) ;$c28 cm
336 $atext$btxt$2rdacontent
336 $astill image$bsti$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
500 $aCatalog of the exhibition held at Princeton University Art Museum, October 5, 2013 to January 5, 2014.
504 $aIncludes bibliographical references (pages 154-157).
505 00 $tOn the road /$rKelly Baum --$tA conversation /$rKelly Baum, Beatriz Colomina, Hal Foster, William Gleason, Hendrik Hartog --$gCatalogue /$rNed Schefer and Kelly Baum --$tAmiri Baraka --$tGeorge Brecht --$tJohn Cohen --$tDan Graham --$tGeoffrey Hendricks --$tDick Higgins --$tNancy Holt --$tAllan Kaprow --$tGordon Matta-Clark --$tDennis Oppenheim --$tGeorge Segal --$tCharles Simonds --$tRobert Smithson --$tMichelle Stuart --$tRobert Watts --$tTimeline /$rKathryn Dammers with contributions by Kelly Baum --$tExhibition checklist --$tSelected bibliography.
520 $a"Between 1950 and 1975, some of the postwar era's most innovative artists flocked to a very unexpected place: New Jersey. Appreciating what others tended to ignore or mock, they gravitated to the state's most desolate peripheries: its industrial wastescapes, crumbling cities, crowded highways, and banal suburbs. There they produced some of the most important work of their careers. The breakthroughs in land, conceptual, performance, and site-specific art that New Jersey helped catalyze are the subject of New Jersey as Non-Site, whose title evokes the mixed-media sculptures that Robert Smithson began to create in 1968 while driving the state's highways with Nancy Holt. This catalogue examines more than 100 works by sixteen artists, including Amiri Baraka, George Brecht, Dan Graham, Allan Kaprow, Gordon Matta-Clark, and George Segal. Organized around three themes--ruin, cooperation, and displacement--Kelly Baum's essay considers their work in relationship to seismic shifts in the world of art and equally dramatic changes to New Jersey's economy, infrastructure, landscape, demography, and social stability."--$cPublisher website.
651 0 $aNew Jersey$vIn art$vExhibitions.
650 0 $aArts, American$zNew Jersey$y20th century$vExhibitions.
650 0 $aAvant-garde (Aesthetics)$zNew Jersey$y20th century$vExhibitions.
650 0 $aArt, American$y20th century$vExhibitions.
650 7 $aArt, American.$2fast
650 7 $aArts, American.$2fast
650 7 $aAvant-garde (Aesthetics)$2fast
651 7 $aNew Jersey.$2fast
648 7 $a1900 - 1999$2fast
655 7 $aExhibition catalogs.$2fast
700 1 $aColomina, Beatriz,$econtributor.
710 2 $aPrinceton University.$bArt Museum,$ehost institution.
988 $a20140709
049 $aHFLA
906 $0OCLC