MARC Record from harvard_bibliographic_metadata

LEADER: 05289cam a22004578i 4500
001 014118508-2
005 20140729150014.0
008 140127s2014 enk 000 0 eng
010 $a 2013049987
020 $a9780415705400 (hardback)
020 $a9781315850115 (ebook)
035 0 $aocn868199756
040 $aDLC$beng$cDLC$erda
042 $apcc
050 00 $aPN1972$b.R68 2014
082 00 $a791.5$223
084 $aPER000000$aPER007000$2bisacsh
245 04 $aThe Routledge companion to puppetry and material performance /$cedited by Dassia N. Posner, Claudia Orenstein, and John Bell.
246 30 $aCompanion to puppetry and material performance
246 30 $aPuppetry and material performance
264 1 $aAbingdon, Oxon ;$aNew York, NY :$bRoutledge,$c2014.
300 $axxiv, 351 pages :$billustrated ;$c25 cm
336 $atext$2rdacontent
337 $aunmediated$2rdamedia
338 $avolume$2rdacarrier
520 $a"As an art form, puppetry has enjoyed a significant expansion over the past twenty years. This can be seen both in terms of its popularity in mainstream theatre and in the amount of attention that it now receives from an academic audience. This increased presence in the practical and theoretical realms is also underlined by a diversification in the definition of puppetry itself, with the term now being used to cover everything from found or traditional 'performing objects' to super high-tech projections and constructions"--$cProvided by publisher.
505 00 $gIntroduction /$rDassia N. Posner, Claudia Orenstein, and John Bell --$gPart I:$tTheory and practice /$redited and introduced by John Bell --$gSection I:$tTheoretical approaches to the puppet.$tThe death of "the puppet"? /$rMargaret Williams --$tThe co-presence and ontological ambiguity of the puppet /$rPaul Piris --$tPlaying with the eternal uncanny: the persistent life of lifeless objects /$rJohn Bell --$gSection II:$tPerspectives from practitioners.$tVisual dramaturgy: some thoughts for puppet theatre-makers /$rEric Bass --$tPuppetry, authorship, and the Ur-narrative /$rBasil Jones --$tPetrushka's voice /$rAlexander Gref and Elena Slonimskaya --$t"Clouds are made of white!": the intersection of live art and puppetry as an approach to postdramatic children's theatre /$rRike Reiniger --$tMovement is consciousness /$rKate Brehm --$tThe eye of light: the tension of image and object in shadow theatre and beyond /$rStephen Kaplin --$tThe third thing /$rJim Lasko --$tPost-decivilization efforts in the nonsense suburb of art /$rPeter Schumann --
505 80 $gPart II:$tNew dialogues with history and tradition /$redited and introduced by Claudia Orenstein --$gSection III:$tRevisiting history.$tMaking a troublemaker: Charlotte Charke's proto-feminist Punch /$rAmber West --$tLife-death and disobedient obedience: Russian modernist redefinitions of the puppet /$rDassia N. Posner --$tThe Saracen of Opera dei Pupi: a study of race, representation, and identity /$rLisa Morse --$tPuppet think: the implication of Japanese ritual puppetry for thinking through puppetry performances /$rJane Marie Law --$tRelating to the cross: a puppet perspective on the Holy Week ceremonies of the Regularis Concordia /$rDebra Hilborn --$gSection IV:$tNegotiating tradition.$tTraditional and post-traditional wayang kulit in Java today /$rMatthew Isaac Cohen --$tKorean puppetry and heritage: Hyundai Puppet Theatre and Creative Group NONI translating tradition /$rKathy Foley --$tForging new paths for Kerala's tolpavakoothu leather shadow puppetry tradition / Claudia Orenstein --$tIntegration of puppetry tradition into contemporary theatre: the reinvigoration of the vertep puppet nativity play after communism in Eastern Europe /$rIda Hledíková --
505 80 $gPart III:$tContemporary investigations and hybridizations /$redited and introduced by Dassia N. Posner --$gSection V:$tMaterial performances in contemporary theatre.$tFrom props to prosopopeia: making After Cardenio /$rJane Taylor --$t"A total spectacle but a divided one": redefining character in Handspring Puppet Company's Or you could kiss me /$rDawn Tracey Brandes --$tReading a puppet show: understanding the three-dimensional narrative /$rRobert Smythe --$tNotes on new model theatres /$rMark J. Sussman --$gSection VI:$tNew directions and hybrid forms.$tFrom puppet to robot: technology and the human in Japanese theatre /$rCody Poulton --$tUnholy alliances and harmonious hybrids: new fusions in puppetry and animation /$rColette Searls --$tProgramming play: puppets, robots, and engineering /$rElizabeth Ann Jochum and Todd Murphey --$tReturn to the mound: animating infinite potentia in clay, food, and compost /$rEleanor Margolies.
504 $aIncludes bibliographical references and index.
650 0 $aPuppet theater.
650 7 $aPERFORMING ARTS / General.$2bisacsh
650 7 $aPERFORMING ARTS / Puppets & Puppetry.$2bisacsh
650 0 $aPuppet theater$xHistory.
700 1 $aPosner, Dassia N.
700 1 $aOrenstein, Claudia.
700 1 $aBell, John,1951-
776 08 $iOnline version:$tRoutledge companion to puppetry and material performance.$dLondon : Routledge, ©2014$z9781317911722$w(OCoLC)884017626
899 $a415_565368
988 $a20140716
906 $0DLC