Record ID | harvard_bibliographic_metadata/ab.bib.14.20150123.full.mrc:169162600:2750 |
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LEADER: 02750cam a22004098i 4500
001 014124576-X
005 20140826155524.0
008 131031s2013 nyu 001 0 eng
010 $a 2013039526
016 7 $a016515479$2Uk
020 $a9781107041653 (hardback)
020 $a1107041651 (hardback)
035 0 $aocn852826103
035 $a(PromptCat)60001932230
040 $aDLC$beng$erda$cDLC$dBTCTA$dUKMGB$dYDXCP
042 $apcc
050 00 $aPR149.A7$bW58 2013
082 00 $a820.9/3620903$223
084 $aLIT004120$2bisacsh
100 1 $aWiseman, Susan.
245 10 $aWriting Metamorphosis in the English Renaissance :$b1550-1700 /$cSusan Wiseman.
264 1 $aNew York :$bCambridge University Press,$c2013.
300 $avii, 244 pages ;$c23 cm
336 $atext$2rdacontent
337 $aunmediated$2rdamedia
338 $avolume$2rdacarrier
500 $aIncludes index.
520 $a"Taking Ovid's Metamorphoses as its starting point, this book analyses fantastic creatures including werewolves, bear-children and dragons in English literature from the Reformation to the late seventeenth century. Susan Wiseman tracks the idea of transformation through classical, literary, sacred, physiological, folkloric and ethnographic texts. Under modern disciplinary protocols these areas of writing are kept apart, but this study shows that in the Renaissance they were woven together by shared resources, frames of knowledge and readers. Drawing on a rich collection of critical and historical studies and key philosophical texts including Descartes' Meditations, Wiseman outlines the importance of metamorphosis as a significant literary mode. Her examples range from canonical literature, including Shakespeare's A Midsummer Night's Dream and The Tempest, to Thomas Browne on dragons, together with popular material, arguing that the seventeenth century is marked by concentration on the potential of the human, and the world, to change or be changed"--$cProvided by publisher.
505 8 $aMachine generated contents note: Introduction: writing metamorphosis; 1. Classical transformation: turning Metamorphoses; 2. Sacred transformations: animal events; 3. Transforming nature: strange fish and monsters; 4. Metamorphosis and civility: werewolves in politics, print and parish; 5. Transformation rewritten? Extreme nurture, wild children; Coda: Descartes and the disciplines.
650 0 $aEnglish literature$xHistory and criticism.
650 0 $aAnimals, Mythical, in literature.
650 0 $aMetamorphosis in literature.
650 0 $aMonsters in literature.
650 7 $aLITERARY CRITICISM / European / English, Irish, Scottish, Welsh.$2bisacsh
899 $a415_565471
988 $a20140724
906 $0DLC