MARC Record from harvard_bibliographic_metadata

LEADER: 03654cam a2200541 i 4500
001 014126999-5
005 20140827121701.0
008 131202s2014 fr a bc 001 0 eng
010 $a 2013047895
016 7 $a016649154$2Uk
020 $a9780300206104 (cl : alk. paper)
020 $a0300206100 (cl : alk. paper)
020 $a9781906270704
020 $a1906270708
035 0 $aocn865574913
040 $aDLC$erda$beng$cDLC$dYDX$dBTCTA$dUKMGB$dYDXCP$dYNK$dSNN$dDEBBG$dBRZ$dOCLCO$dBDX$dYUS$dOCLCO$dOSU$dOCLCF$dZCU
042 $apcc
043 $an-us---
050 00 $aND210.5.I4$bA39 2014
082 00 $a759.13/090340747468$223
245 00 $aAmerican impressionism :$ba new vision, 1880-1900 /$cedited by Katherine M. Bourguignon ; essays by Richard Brettell, Frances Fowle and Katherine M. Bourguignon.
264 1 $aGiverny, France :$bMusée des impressionnismes Giverny,$c[2014]
264 2 $aNew Haven :$bYale University Press
300 $a155 pages :$billustrations (color, black and white) ;$c30 cm
336 $atext$2rdacontent
336 $astill image$2rdacontent
337 $aunmediated$2rdamedia
338 $avolume$2rdacarrier
504 $aIncludes bibliographical references and index.
505 0 $aImpressionism and nationalism : the American case / Richard Brettell -- American artists in Europe : engaging with impressionism / Frances Fowle -- Painting impressionism in America / Katherine M. Bourguignon -- Catalogue 1 : impressionism and Americans abroad -- Catalogue 2 : the beginnings of American impressionism at home -- Appendices 1 : biographies of artists -- Appendices 2 : chronology, 1874-1900.
520 $aOverview: This lively, beautifully illustrated book focuses on a group of American artists who applied Impressionist ideas and techniques to American subjects, and in so doing, they attracted and cultivated an enthusiastic American audience. These artists, including Mary Cassatt, John Singer Sargent, James McNeill Whistler, Theodore Robinson, William Merritt Chase, and Childe Hassam, invented a new and highly diverse formulation of the Impressionist movement. Essays by experts in the field of Impressionism discuss the impact of Impressionism on the countryside and city paintings of Robinson and Hassam; and consider significant pictures by Cassatt, Sargent, and Whistler that demonstrate their role in the exploration of brilliant color harmonies and compositions developed from contact with French artists such as Claude Monet and Edgar Degas. The book features more than 60 paintings, some well known, others less familiar, produced in Europe and America. By representing American imagery, from the Atlantic coastline to New York's public gardens, through the most current ideas about art-making, the artists showcased here created a unique expression of an evolving national identity.
650 0 $aImpressionism (Art)$zUnited States$vExhibitions.
650 0 $aPainting, American$y19th century$vExhibitions.
650 7 $aImpressionism (Art)$2fast
650 7 $aPainting, American.$2fast
651 7 $aUnited States.$2fast
648 7 $a1800 - 1899$2fast
655 7 $aExhibition catalogs.$2fast
700 1 $aBrettell, Richard R.,$eauthor.
700 1 $aFowle, Frances,$eauthor.
700 1 $aBourguignon, Katherine M.,$eauthor.
710 2 $aMusée des impressionnismes (Giverny, France),$ehost institution.
700 1 $aBourguignon, Katherine M.,$eauthor,$eeditor.
710 2 $aNational Galleries of Scotland,$ehost institution.
710 2 $aMuseo Thyssen-Bornemisza,$ehost institution.
899 $a415_565897
988 $a20140728
906 $0DLC