| Record ID | harvard_bibliographic_metadata/ab.bib.14.20150123.full.mrc:24643100:1437 |
| Source | harvard_bibliographic_metadata |
| Download Link | /show-records/harvard_bibliographic_metadata/ab.bib.14.20150123.full.mrc:24643100:1437?format=raw |
LEADER: 01437cam a2200421 i 4500
001 014016425-1
005 20140426224855.0
008 130613t20142014nyu bq 001 0 eng
010 $a 2013023314
016 7 $a016598267$2Uk
020 $a9781782382782 (hardback)
020 $a178238278X (hardback)
020 $z9781782382799 (institutional ebook)
035 0 $aocn848268013
035 $a(PromptCat)40023528410
040 $aDLC$erda$beng$cDLC$dYDX$dOCLCO$dBTCTA$dOCLCF$dUKMGB$dYDXCP
042 $apcc
050 00 $aPN1995$b.C3415 2014
082 00 $a791.43/612$223
100 1 $aCampora, Matthew,$eauthor.
245 10 $aSubjective realist cinema :$bfrom expressionism to Inception /$cMatthew Campora.
264 1 $aNew York :$bBerghahn Books,$c2014.
300 $aviii, 150 pages ;$c24 cm
336 $atext$2rdacontent
337 $aunmediated$2rdamedia
338 $avolume$2rdacarrier
504 $aIncludes bibliographical references and index.
504 $aIncludes filmography.
650 0 $aMotion pictures$xPhilosophy.
650 0 $aSubjectivity in motion pictures.
650 0 $aRealism in motion pictures.
650 7 $aMotion pictures.$2fast$0(OCoLC)fst01027285
650 7 $aMotion pictures$xPhilosophy.$2fast$0(OCoLC)fst01027348
650 7 $aRealism.$2fast$0(OCoLC)fst01091228
650 7 $aSubjectivity.$2fast$0(OCoLC)fst01136568
899 $a415_565471
988 $a20140426
906 $0DLC