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Record ID harvard_bibliographic_metadata/ab.bib.14.20150123.full.mrc:279537762:2582
Source harvard_bibliographic_metadata
Download Link /show-records/harvard_bibliographic_metadata/ab.bib.14.20150123.full.mrc:279537762:2582?format=raw

LEADER: 02582cam a2200421 i 4500
001 014209683-0
005 20141016102741.0
008 140428t20142014nyua b 001 0 eng
010 $a 2014003093
020 $a9781137395047 (hardback : alk. paper)
020 $a1137395044 (hardback : alk. paper)
024 8 $a40023995505
035 0 $aocn878953230
040 $aDLC$erda$beng$cDLC$dYDX$dYDXCP$dBTCTA$dBDX$dOCLCO$dYUS
042 $apcc
050 00 $aPN3448.L67$bK36 2014
082 00 $a823/.08509092$223
100 1 $aKamble, Jayashree,$d1977-$eauthor.
245 10 $aMaking meaning in popular romance fiction :$ban epistemology /$cJayashree Kamblé.
250 $aFirst edition.
264 1 $aNew York, NY:$bPalgrave Macmillan,$c2014.
300 $axv, 191 pages ;$c23 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
504 $aIncludes bibliographical references and index.
505 0 $aIntroduction: what does it mean to say "romance novel"? -- Capitalism: money and means in romance novels -- War: patriotism and the traumatized romance novel hero -- Heterosexuality: negotiating normative romance novel desire -- White protestantism: race and religious ethos in romance novels -- Conclusion: the next chapter for romance novels.
520 $a"The book examines mass-market romance fiction in the U.K., Canada, and the U.S. through four elements that undergird its functioning: capitalism, war, heterosexuality, and white Protestantism. Adopting Michel Foucault's idea of the "episteme," it argues that romance novels are a quintessentially twentieth and twenty-first century genre and rooted in the real world conditions (episteme) that correspond to the four elements above. As such, romance fiction provides a prismatic look at the struggles around globalization, "democratic" armed aggression, heteropatriarchy, and historically Protestant values, particularly as understood by the genre's readers and authors. This approach casts a fresh light on a genre that has hitherto been understood only in terms of structuralist paradigms or reader-response ethnographies" --$cProvided by publisher.
650 0 $aLove stories$xHistory and criticism.
650 0 $aPopular literature$xHistory and criticism.
650 0 $aLove in literature.
650 0 $aSocial values in literature.
650 0 $aIdentity (Psychology) in literature.
650 0 $aSocial change in literature.
650 0 $aLove stories$xSocial aspects.
899 $a415_565471
988 $a20141016
906 $0DLC