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Record ID harvard_bibliographic_metadata/ab.bib.14.20150123.full.mrc:295401581:3562
Source harvard_bibliographic_metadata
Download Link /show-records/harvard_bibliographic_metadata/ab.bib.14.20150123.full.mrc:295401581:3562?format=raw

LEADER: 03562cam a2200517 i 4500
001 014221540-6
005 20150113103005.0
008 140320t20142014nyua bc 000 0deng c
010 $a 2014947957
015 $aGBB492851$2bnb
016 7 $a016855693$2Uk
020 $a9780847844562$qhardcover
020 $a0847844560$qhardcover
035 0 $aocn874727810
040 $aBTCTA$beng$cBTCTA$dBDX$dUKMGB$dYDXCP$dOCLCO$erda$dNYP$dJPG$dCAM$dOSU$dZLM$dZCU$dCLE$dFDA
042 $apcc
050 4 $aND497.O345$bA4 2014
050 4 $aND497.O38$bA4 2014
082 04 $a759.2$223
100 1 $aOfili, Chris,$d1968-$eartist.
245 10 $aChris Ofili :$bnight and day /$cMassimiliano Gioni ; with contributions by Glenn Ligon, Minna Moore Ede, Alicia Ritson, Matthew Ryder, Robert Storr, Lynette Yiadom-Boakye ; exhibition organized by Massimiliano Gioni with Gary Carrion-Murayari and Margot Norton.
246 30 $aNight and day
264 1 $aNew York :$bSkira Rizzoli :$bNew Museum,$c[2014]
264 4 $c©2014
300 $a223 pages :$billustrations (chiefly color) ;$c30 cm
336 $atext$btxt$2rdacontent
336 $astill image$bsti$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
500 $aCatalog of an exhibition held at New Museum, New York, October 29, 2014 - February 1, 2015.
504 $aIncludes bibliographical references.
505 00 $tLush life /$rMassimiliano Gioni --$tInspired by Ovid /$rMinna Moore Ede --$tIt don't mean a thing if it ain't got that sting /$rRobert Storr --$tBlue black /$rGlenn Ligon --$tBlue devils /$rMatthew Ryder --$tBetween heaven and hell:$tthe Holy Virgin Mary at the Brooklyn Museum /$rAlicia Ritson -$tWithin reach:$ttricolor/jet-black epic /$rLynette Yiadom-Boakye.
520 $a"A major survey including new and celebrated works by Turner Prize-winning artist Chris Ofili. Set to accompany the first major museum show in the United States of contemporary British artist Chris Ofili, this richly illustrated volume surveys two decades of artworks that meld figuration, abstraction, and decoration to yield hybrid juxtapositions of high and low culture. Best known for intricately constructed works featuring beadlike dots of paint, elephant dung, and images culled from popular media, Ofili's unique lexicon combines African culture, Western art history, and hip-hop music, spanning a wide variety of sources which include the Bible, Zimbabwean cave paintings, Blaxploitation films, and William Blake's poems. Animated by exotic characters, outlandish landscapes, and folkloric myths, Ofili's most recent work resonates with references to the paintings of Henri Matisse and Paul Gauguin. This compelling new book offers a fresh perspective on the artist's vital practice, which both celebrates and calls into question the power of images and their ability to address fundamental questions of representation"--$cPublisher's website.
600 10 $aOfili, Chris,$d1968-$vExhibitions.
650 0 $aPainting$zGreat Britain$y21st century$vExhibitions.
650 0 $aArt, British$y21st century$vExhibitions.
655 7 $aExhibition catalogs.$2fast
700 1 $aGioni, Massimiliano,$eeditor.
700 1 $aLigon, Glenn,$d1960-$ewriter of supplementary textual content.
700 1 $aCarrion-Murayari, Gary,$ecurator.
700 1 $aNorton, Margot,$ecurator.
710 2 $aNew Museum (New York, N.Y.),$ehost institution.
700 1 $aGioni, Massimiliano,$eeditor,$ecurator.
899 $a415_565082
988 $a20141103
906 $0OCLC